Maurice Braithwaite doesn’t like to talk about himself, but boy, does he tell great stories, many of which tell a lot about the storyteller.

Like this one, about growing up in a Georgetown, Guyana, tenement yard — a low end housing project — with an aunt who had 24 children — yep, 24 — yet took the then 13-year-old Braithwaite and his four siblings in after their father died.

“This house didn’t have any furniture,” the 71-year-old recalled. “Our bed was the floor. But for us young kids, it was very exciting.

“They used to call that particular tenement yard a stable yard, because the undertaker in those days had horse drawn carriages, and he used to keep his vehicle right under the house where we lived, because in Guyana all the houses were on stilts. When it rained the place would flood.”

Braithwaite’s twinkling eyes match his laugh as he’s telling this story, and it’s unclear if the engineer, the actor, the orator or the community activist in him gets the bigger tickle out of telling it.

“When people ask me how my acting career got started I said growing up in the stable yard,” he said. “It was a conglomerate of people who lived there; Chinese, Portuguese, African, East Indian, Amerindians, everyone. On the weekend, it was chaos. Once you come out of that place, if you aspired to be an actor, you got it all.”

It was from that muddy beginning that Braithwaite would go on to earn a electrical technology certificate from Guyana Technical Institute in 1966, then teach mechanical drawing, math and electrical lab there for two years.

After immigrating to New York in 1971 Braithwaite earned a diploma in electrical circuits and systems from RCA Institute of Technology and a bachelors degree in electromechanical engineering from the City College of New York — he went to school at night, six days a week, for four years while working a full-time job at a Brooklyn electronic plant.

From 1977 until his 2005 retirement Braithwaite worked for Xerox, rising to customer service field manager for a staff of 30.

Inspired at 10 years old by an uncle who worked the Georgetown ‘vaudeville’ circuit, Braithwaite dabbled and then jumped into the Guyanese theatre, at first using his electrical training to light and design sets.

Eventually he moved to the stage — Braithwaite was the voice of Mentor in a hit radio serial about the fictional town of Susanberg, and worked on productions with the Guyana Theater Guild and another group, the Forum of Dramatic Aces.

Braithwaite and longtime friend and writer Francis Farrier started the theater group, Dramatic Core. The company toured the country, even visiting hard to reach gold and diamond mining camps in the unsettled interior.

Braithwaite did the same in his new hometown, serving as drama director of the New York City-based Guyana Cultural Association, a troupe of Guyanese expats who mount annual theatrical productions here which draw heavily on Caribbean history and traditions.

“Last year we did a production of C.L.R. James’ only novel, ‘Minty Alley,’” said Braithwaite, who directed the play and also created and designed the set — a two-room bungalow on short stilts that was so realistic audience members ran on stage afterward to get pictures of themselves in the house.

Even with all that work Braithwaite still found time to sit on the Flushing Suburban Civic Association Board in a variety of offices, including president. He’s been a member of Queens Community Board 8 for over 20 years, serving as budget director and executive secretary.

Braithwaite and his wife of 40 years, Rosemarie, have two sons, Marcel and Rory. After Marcel won the St. Francis Prep High School speech and debate contest two years running and claimed the state title the second time, Braithwaite was drafted as the school’s speech and debate coach, a position he has held for 22 years.

Braithwaite was a mentor at the Harlem YMCA, and is drama instructor at Parsons Beacon Child Center of New York. He’s also won numerous awards for his volunteer work, including community service honors from Queens Borough President Helen Marshall, St. Vincent Catholic Medical Centers, the NAACP, and the Metropolitan Area Minority Employees.

“The community is an extension of our homes and we must be involved,” Braithwaite said. “I can’t sit in the house and do nothing. I have to get involved in things, and when I get involved, I have to run it.”