FILM CAREER:
Kapoor started out with serious roles but with Filmistan's Nasir Hussain directed Tumsa Nahin Dekha (1957) opposite Ameeta and Dil Deke Dekho (1959) with Asha Parekh, he attained the image of a light-hearted, stylish playboy. Tall, athletic, lively, fair complexioned, green-eyed and with handsome features, Shammi was a heartthrob, and his good looks and physique complemented his image. Both the films were debut films of the respective actresses Ameeta and Asha Parekh and both went on to be big hits and are regarded as classics.
With Junglee (1961) his new image was cemented and his subsequent films were all in this genre. He particularly chose Mohammed Rafi as his playback voice. Though in his early career he had often played second fiddle to established heroines like Madhubala in films such as Rail Ka Dibba (1953) and Naqab and opposite Suraiya in Shama Parwana, producers after 1960 apart from the actresses from southern India, loved pairing Shammi with new heroines, three of them became huge stars in their own right in Hindi films: Asha Parekh, Saira Banu, and Sharmila Tagore.[4] Of all his heroines, he said that Sharmila Tagore, Rajshree, and Asha Parekh were easy to work with.[5] He and Asha Parekh were paired together in four films, the most successful being the murder mystery Teesri Manzil (1966) and romantic film Jawan Mohabbat.
In the early fifties he accepted serious roles in women oriented films like Shama Parwana (1954), comedy flick Mem Sahib (1956) and thrillers like Miss Coca Cola (1956) and Chor Bazar (1954), which were all successful at box office and in tragic love story Mirza Sahiban (1957) (a box office flop), but did not gain recognition and fame among the masses. Other than the above hits, he had fifteen films as flops to his credit till 1957. It was only after triple success of Tumsa Nahi Dekha (1957), Ujala and Dil Dil Deke Deko (both 1959), that he became popular with the audience and became a star. The other hits in late fifties included Mujrim(1958), Char Dil Char Rahen, Raat Ke Raahi (1959). In the first half of the 1960s, Kapoor was seen in successful films like College Girl, Basant, Singapore, Boy Friend, Professor, Dil Tera Diwana, Pyar Kiya To Darna Kya, China Town, Kashmir Ki Kali, Bluff Master, Janwar and Rajkumar. Although nominated before, in 1968, he received the first Filmfare Best Actor award of his career for the film Bramhachari.
His pairing opposite Southern heroines were always a success at the box office. He delivered hits opposite B. Saroja Devi like Pyaar Kiya To Darna Kya and Preet Na Jane Reet, with Padmini gave Singapore (1960 film), opposite Vyjayanthimala had hits like College Girl and Prince (1969 film). In the sixties his successful run continued untill new romantic incon Rajesh Khanna entered the scene in 1969.[6]Sharmila Tagore and Saira Banu who made their Bollywood debuts with Shammi Kapoor in ‘Kashmir Ki Kali’ and ‘Junglee’ respectively[7] However Shammi did have commercial successes in late sixties, like Budtameez and Sachaai with Sadhana, Latt Saheb with Nutan, Tumse Achha Kaun Hai with Babita.
In the 1970s, Kapoor’s weight problem proved an obstacle in his path of success and ended his career as a romantic hero as his films started failing. His last hit film, in which he played the lead role, was Andaz (1971). With time, he moved to character roles and acted in films like Zameer, Hero and Vidhaata. In 1974, he donned the hat of a director and made Manoranjan, a film based on Irma La Douce. Two years later, he made Bandalbaaz (1976). However, both the films failed to create magic at the box office. His last appearance as a character actor was in the delayed 2006 film, Sandwich and in early 2011, he decided to act with his grand-nephew Ranbir Kapoor, the grandson of his brother Raj Kapoor.
Shammi turned into a successful supporting actor in the 70's, playing Saira Banu's father in Zameer (1974), when he had been her leading man a decade earlier in Junglee (1961) and Bluff Master (1964) and playing Amitabh Bachchan's foster father in Parvarish. He also directed Manoranjan (1974) a copy of Irma La Douce and in which he played a supporting role himself and Bundal Baaz (1976) starring Rajesh Khanna, but neither were successful commercially though got critical acclaims and were hailed as classics and to be ahead of its time. In the 1980s and 1990s, he continued to play supporting roles in many films and won a Filmfare Best Supporting Actor Award for his performance in Vidhaata (1982). He eventually cut down on film appearances by the late 1990s and early 2000s and made his appearances in the 1999 Salman Khan and Urmila Matondkar starring Jaanam Samjha Karo, 2002 release Waah! Tera Kya Kehna and delayed 2006 release Sandwich. He made his last appearance in Imtiaz Ali's directorial venture Rockstar co-starring his grand-nephew Ranbir Kapoor, the grandson of his brother Raj Kapoor.
Film director Shakti Samanta directed Shammi Kapoor in six hit films like Singapore, Pagla Kahin Ka, China Town, Kashmir Ki Kali, An Evening In Paris and Jaane Anjane and quoted in an interview “I found Shammi to be a thoroughly good man. Even in his heydays, he was humble."
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