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RAJ kAPOOR'S Satyam Shivam Sundaram (meaning, β€œTruth is God and God is truth" ... ZEENAT AMAN & SHASHI KAPOOR (1978)

The story is based on the persona of Lata Mangeshkar who then was not pretty in terms of facial beauty but had other unparalleled quality , the divine voice.

Whereas the message was noble Raj Kapoor filmed certain scenes which were supposedly against the ethos of Indian culture. As a result the film became famous for its songs but not otherwise.

The film had to face a stiff battle in getting past the Indian Film Censor Board for some of its risque scenes. The film did average business.

The movie is set in a village where the heroine, Zeenat Aman, lives with her father, and the hero, Shashi Kapoor, comes as an engineer to oversee and build a major dam. The girl Roopa (name meaning beautiful) is tall, very attractive and also god-fearing, she goes to the temple daily and is a very good singer. The hero falls in love with her, and asks her father permission to marry her. However, she is scared of the marriage.

Since she was a child she loved three things. God, music and dancing. Growing up she was happy until, as a young child, she was burned by a pot of oil on one side of her face. This ruined her entire life but she never lost faith.

She is beautiful, but only on one side of the face. The other side had been scarred and disfigured by her childhood injury. She keeps that part of the face hidden by a veil using her sari palloo. She is afraid that he will turn away when he sees her gruesome side of the face.

The hero, on the other hand, suffers from a fear of ugliness (cacophobia), and cringes repulsively when he sees Roopa in the day. However, he meets her at night, and failing to see the disfigured side, falls in love with her.

Eventually he marries her only to discover the truth, at which he disowns her and drives her out of the house. Some time later, a terrible storm ravages the village, leading to a flood in whose swirling waters he overcomes his fear of ugliness and saves Roopa from drowning.

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DARED TO BARE: ZEENIE AMAN:



Zeenat Aman was born November 19, 1951; An Indian actress who has appeared in Bollywood films, notably in the 1970s and 1980s. She was the second runner up in the Miss India Contest and went on to win the Miss Asia Pacific in 1970. Upon making her debut in Bollywood, Aman was credited with bringing the Western heroine look to Hindi cinema.

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FM
quote:
Originally posted by IK:
ASJ..this is going to be great (will probably make the next monthly report)...what a role she had in SSS...i can still remember that waterfall scene...am waiting for the pic Cool


Hi IK, that famous waterfall scene will be forth coming but first we have to get permission from my good buddy Freaky who holds the distributing rights for that one. Big Grin

Also you will be surprised that Dev Anand was madly in love with Zeenie but because of SSS he finally came to his senses and then let it go.
Raj Kapoor wins again.

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FM
quote:
Originally posted by asj:
quote:
Originally posted by IK:
ASJ..this is going to be great (will probably make the next monthly report)...what a role she had in SSS...i can still remember that waterfall scene...am waiting for the pic Cool


Hi IK, that famous waterfall scene will be forth coming but first we have to get permission from my good buddy Freaky who holds the distributing rights for that one. Big Grin

Also you will be surprised that Dev Anand was madly in love with Zeenie but because of SSS he finally came to his senses and then let it go.
Raj Kapoor wins again.

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ok hopefully FR will give you permission...i never knew Dev A. was in love with her but am not surprised...i would imagine a lot of the men were in the same boat Big Grin
FM
DARED TO BARE: ZEENIE AMAN:



Zeenat Aman was born to a Muslim father, Amanullah Khan and a Hindu mother, Scinda. Her mother was a Maharashtrian from Pune. Her father, was one of the writers for the blockbuster movies of Mughal-e-Azam and Pakeezah. He died when Zeenat was just 13. Zeenat's mother was a German citizen, and took her to Germany - where Zeenat was very unhappy, returning to India as soon as she turned 18.

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FM
DARED TO BARE: ZEENIE AMAN



It has been speculated by some that her mother was Jewish which is absolutely false, her best friend was Jewish. As she told the Sunday Observer in Sri Lanka in an interview in 2003, "My father was a Muslim, mother was a Hindu, my step father was German. I went to a Catholic school with a European influence and my best friend was Jewish. So I had wide exposure and I played Indo-Western roles I could have identified with."

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FM
quote:
Originally posted by Riya:
quote:
Originally posted by IK:
her European influence was excellent in Qurbani...in the bikini n such..she was gorgeous yippie


She was memorable in Dostana too when she was walking along dressed very western in her sunhat and sundress and AB and Paintal was teasing her. Remember that?
yes..that too n most of her movies she was usually dressed westernised...'jiska muje' from Don...galmorous dress she had worn Cool
FM
DARED TO BARE: ZEENIE AMAN:



Aman graduated from St. Xavier's College, Mumbai and went to Southern California University, Los Angeles for further studies on student aid. Upon returning to India, she first took a job as a journalist for Femina and then later on moved on to modeling. One of the first few brands that she modeled for was Taj Mahal Tea and Television X Debut in 1966 exclusively. She was the second runner up in the Miss India Contest and went on to win the Miss Asia Pacific in 1970.

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FM
quote:
Originally posted by chameli:
asj BhaiyaaaaaaaaaaaaaaaaaaaaaaaaCool

Zeenie baby...man i got paid to dance to Laila oh Laila and qurbani...
dem days 25c was good enough...esp since was only for me cuz demBig Grin
she was prob. the first indian movie star to be so tall...and she was very hippy...nice hips

i loved all of her movies...AAA she was with 2 of my other favs...


wavey

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FM
DARED TO BARE: ZEENIE AMAN:



Aman's sultry persona was a contrast to many of the more conservative stars of the era. At a time when heroines were obedient wives and lovers on screen, Aman was drawn to more unconventional roles - she was cast as the opportunist who deserts her jobless lover for a millionaire (Roti Kapda Aur Makaan), the ambitious girl who considers aborting her baby to pursue a career (Ajnabee), the happy hooker (Manoranjan), the disenchanted hippie (Hare Rama Hare Krishna), the girl who falls in love with her mother's one-time lover (Prem Shastra), and a woman married to a caustic cripple but involved in an extramarital relationship (Dhund). She managed to balance these roles with acting in more conventional films such as Chori Mera Kaam, Chhaila Babu, Dostana and Lawaaris, which is considered by many to be a landmark in Indian Cinema.

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FM
DARED TO BARE: ZEENIE AMAN:

It is refreshing to see that Zeenat Aman and her role in the history of Bollywood is finally getting the proper reassessment she truly deserves. For many years it seems Zeenat's image and role in Bollywood had taken an unflattering and exploited turn. After the death of her husband her in-laws attempted to publicly defame her reputation in an ugly estate battle. Revealing photos of her scantily clad voluptuous figure taken from her more risquΓ© sensational film roles of the 70s flooded Internet fan photo sites with captions like, "Zeenat cleavage and huge Bs". The lowest common denominator had pegged her as a 'sex pot' evergreen star of nostalgic times past. The critics often relegated her to the 'B' list when listing the 'important' stars of Bollywood's history.

However, critically and culturally and in terms of impact, Zeenat Aman is arguably one of the most important Bollywood actress of the last 35 years. Thankfully in the past year or two she is finally getting her well deserved and long overdue critical accolades.

In her heyday during the early and mid 1970s Zeenat Aman created a revolution in the image of the Bollywood Heroine. Her popularity with fans took her to the top echelon of the 'A' list stars. Her portrayals created enduring roles that still reverberate and inspire comparison in Bollywood to this day.

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FM
[QUOTE]Originally posted by asj:
DARED TO BARE: ZEENIE AMAN:



On first glance (even a second) it is a shock to watch just how much skin Zeenat Aman is exposing in some of her films from the 70s. In Raj Kapoor's "Satyam Shivam Sundaram" (1978) Zeenat goes bra-less in a see-through saree five times too small for her. Her clothes in the film give Zeenat the single most 'revealing' performance in Bollywood history. In "Qurbani" (1980) Zeenat romps in the surf and up the beach in a micro bikini smaller than anything before or since seen on a Bollywood screen. The relish and self satisfaction, the pride in her potent physical form are evident in these classic Zeenat Aman exhibitions.

One can see that Zeenat is gamely and playfully pushing the boundaries of female representation. She may have been asked by the director of the film to wear the tiny bikini or see-through saree, but she certainly saw nothing 'wrong' or would state to the effect that it was no big deal in doing so. She felt that the industry and society was uptight and should loosen up a bit. Regressive attitudes towards the female form were just not a part of her reality.

Often she chose roles that were outside the normal formula so she could stretch herself. Because of her intelegence and the visceral sincerity of her performances, Zeenat's liberated modern woman became a new facet on the role of Bollywood heroine. Not to mention that the public loved her and for a period she was the total rage, not only as a film actress but also as a fashion icon.

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FM
DARED TO BARE: ZEENIE AMAN:



Of all the actress' who are termed 'evergreen' or from the pre 80s era of Bollywood. Zeenat Aman is the only actress who could slip right off a 70s film screen right into a 2000s movie. All of the other heroines look nostalgic compared to her. Her face is modern and with only slight make-up changes she could be a Bollywood heroine today.

It has been said that Zeenat was the prototype of the modern Bollywood heroine. She ushered in not only a new look and modern attitude but also offered in her portrayals new models and standards of what a Bollywood Heroine could be.

Zeenat Aman is still active in the film world behind and now recently again in front of the camera. See the links below to learn more about her. Also see the Zeenat galleries to see and read more about her style and fashion.

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DARED TO BARE: ZEENIE AMAN:

Dev was very much in love with Zeenie Baby, but was Miss Aman in love with Dev Anand?

Evergreen hero Dev Anand was desperately in love with Zeenat Aman but was heart broken before a 'date' with her when he found Raj Kapoor throwing his arms around her at a party.

"My heart broken to pieces.... I wanted to leave the party at once and go off somewhere alone, to just be myself, so that I could swallow the humiliation thrust on my ego," Dev Anand says in his autobiography "Romancing With Life".

"Zeenat and I started being linked to each other in the magazines and newspapers that people hungry for gossip love to read. In the subconscious, we had become emotionally attached to each other," Anand says.

Time moved on and one day he felt that he was desperately in love with Zeenat and wanted to say so to her at a very special, exclusive place meant for romance. "I pick her up and together we went to a party. The first person who greeted Zeenat was a drunken Raj Kapoor with a gallant drawl who threw his arms around her," Anand says.

"A struggle within me transformed itself into a to-hell-with-it-all attitude and prompted me to say goodbye to a relationship which, though it had been non-committal emotionally on both sides, had been honest all the same," he says.

The evening, he says, had delivered a blow to his personality, and his dominating spirit. "I had decided on the spur of the movement to tell Zeenat for the first time how much I loved her. And that there was an idea in my mind of another story that would put her on a pedestal as never before, the highest so far. But that was never to be," the evergreen hero says.

In his autobiography, said to be the first ever full-fledged memoir by a leading Bollywood star, Anand tells his remarkable life story, no less dramatic and gripping than any of his films. It carries recollections from Dev's youth in 1930 in Gurdaspur and Lahore, his years of struggle in 1940s in Bombay, his friendship with Guru Dutt and his doomed romance with Surayya. The star also writes about his marriage to Kalpana Kartik, his relationship with his brothers Chetan and Vijay Anand as also his compatriots Dilip Kumar and Raj Kapoor.

Anand however quickly detached himself from Zeenat. "And so be it! I quickly detached myself. I had blundered, taking too many things for granted. There was no need for me to let any rancour remain in my mind against Zeenat. I had prepared her for the world and she was free to go into the arms of anyone who would help her further her ambitious dreams," he writes.

"A group of chanting devotees was passing by my car- Hare Krishna Hare Krishna..I closed my eyes. Zeenat still remained beautiful in my eyes, with an honest soul. And Raj a passionate filmmaker...An idea of a new film was slowly coming into focus," he writes.

"Writing an autobiography is tougher when you are a public figure that the world has known and admired for over six decades and has looked up as a larger-than-life hero. Unless I take my readers to a plane of absolute adoration for me as they read my book, the attempt will not have been worth it. And yet, my life has been an open book to my fans, and they must not feel that I am hiding something or glossing over some unsavoury bumps now that I have set out to write my autobiography," Anand writes.

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FM
quote:
Originally posted by amral:
now who was the best actor that she is paired with?


Wow!! how do we answer this?....as we have seen that wether it be a Dharmendra, a Feroze Khan, or even a Dev Anand, we know that Zeenie would always give of her best.

Can we say that she was romantically involved with Dharam? Nah!!! I do not think so, but we do have some footages where we saw that she was almost stripped by Dharmendra: Lets see if we can find those footages.

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FM
DARED TO BARE: ZEENIE AMAN:


In this photo: Parveen Babi, Shabana Azmi, Rajesh Khanna, Zeenat Aman

After having studied in Los Angeles, winning the Miss Asia Pageant and a successful modeling career, Aman's film career began with a small role in O. P. Ralhan's Hulchul in 1971. A second role in Hungama (1971), starring singer Kishore Kumar, was also not successful.

Dev Anand offered Zaheeda (his second heroine in Prem Pujari) the role of sister in Hare Rama Hare Krishna (1972). Not realizing the importance of this secondary role, Zaheeda wanted the lead female part (eventually played by Mumtaz), and she opted out. Aman was chosen as a last-minute replacement.

In Hare Rama Hare Krishna, Aman, aided by R. D. Burman's song "Dum Maro Dum" (Take Another Toke), won over the heart's of audience as Janice. She earned a Filmfare Best Supporting Actress Award[3] and BFJA Award for Best Actress.[4] Throughout the 1970s, the Dev-Zeenat pairing was seen in half a dozen films: Heera Panna (1973), Ishq Ishq Ishq (1974), Prem Shastra (1974), Warrant (1975), Darling Darling (1977) and Kalabaaz (1977). Of these, Warrant, was the biggest box-office success.

Her hip looks in "Yaadon Ki Baaraat' (1973) as the girl carrying a guitar, singing 'churaliya hai tumne jo dil ko' (in Asha Bhonsle's voice) has won her more popularity and the hearts of millions of fans.

She appeared on every Hindi film magazine's cover during 1970s. In December 1974, Cine Blitz magazine was launched with Zeenat Aman on its cover, a testimony to her popularity at the time. However, she went on as the favourite cover girl of the popular magazine 'Stardust'.

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FM
DARED TO BARE: ZEENIE AMAN:

It is only too well known that at one point of time ZEENAT AMAN actually became the bone of contention between the KHAN brothers FEROZ & SANJAY.Everyone knew it was while she was shooting for QURBANI that she also signed ABUDALLAH with SANJAY KHAN and eventually while the film was under-production she had a whirlwind romance with SANJAY KHAN that resulted in a cloak and dagger Nikaah that left Feroz furious as his loyalty was with the clan. There was soo much bad blood between the brothers that when their respective films were ready for release neither of them was willing to budge on the release date. At the end of the day.Qurbani was an all time hit while Abudallah was a miserable flop of 1980. Something that always pinched SANJAY KHAN.

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FM
DARED TO BARE: ZEENIE AMAN:

The Zeenat-Mazhar relationship takes its ugliest turn ever.

FILM glossies ran the trailers long before the final showdown. In April 1998, Cine Blitz carried "the bizarre details" of the Zeenat-Mazhar divorce, listing out the darker side of Ms Aman. A month later, Stardust carried Zeenat's version of "Mazhar's Revenge". Then, on May 8, 1998, Zeenat's Hill Road home in suburban Bandra was stormed by in-laws and her furious first-born Azaanβ€”leaving in its devastating wake shattered panes, a battered car, smashed chairs, a bruised Zeenat, her battered friend Zaheer Aslam and her shell-shocked eight-year-old son Zahaan.
Two days later a shaken Zeenat, along with close friends actress Dimple Kapadia and script-writer Honey Irani, summoned the press. In presenting her "side of the story", the famed stoic silence of the Khan couple took a severe beating.

But then, so did Zeenat. The sex symbol of the '70s wore makeup to camouflage her swollen face. Through the warpaint, 12 years of an unhappy marriage proclaimed themselves. "Nobody remembers the 12 years of devotion and sacrifice to my childrenβ€”and to Mr Mazhar Khan. His addiction to drugs, his 10-year-old film which never took off, his debts, spending sprees, carsβ€”nobody saw that. Nobody saw that emotionally and financially I got nothing out of this relationship. Right now I want to rescue my son who's being used as a weapon against me," was Zeenat's constant refrain.

It was seconded in equally powerful tones by Dimple Kapadia. "We have a right to live the way we want to. We can't have people coming into our homes and bashing us up. After all, she has been divorced. What do they want from her? What right do they have to spoil the relationship between her and her son? That's the saddest part of all."

But the solidarity of the three women seeking common cause with women's rights stirred little sympathy with the industry. "The industry will be divided over the issue," notes Bharati Pradhan, former editor of Showtime. "They'll discuss the couple, dissect the marriage and then go back to leading their own lives."

Condemning the assault, Cine Blitz editor Rita Mehta says: "If the industry is coming together over this act of violence, it should also take up violence on screen. The issue at hand is highly convoluted. Is Mazhar to blame? Is Azaan, the child, to blame? There are too many considerations here."

Of equal significance is the fact that support came from quarters that could be s******ed at. Dimple, whose liaison with Sunny Deol had caused immense heartache to wife Pooja; Honey, who traipsed in and out of relationships, largely with younger men. In Zeenat's case: a 25-year-old called Zaheer Aslam who weaned her away from her family. Soon after the attack, producer Tajdar Amrohi, Mazhar's brother-in-law and one of the in-laws charged with assaulting Zeenat, said: "I've been unnecessarily defamed in all this. I vow on the Holy Koran I can't even remotely think of harming a woman. Zeenat seems to have gone crazy. Maybe it's that boy who stays with her. I wonder what relationship they shareβ€”is he a relative, friend...? What could be the reason for the son not wanting to stay with his mother?"

As per Zeenat's confession to a friend, "getting beaten up was becoming the story of my life". A secretive whirlwind wedding with actor-director Sanjay Khan ended in a smash-up at Mumbai's five-star lobby of the Taj. Forgotten flame Robin Kumar reportedly hit her in public while toy boy Frank Marino sped away with her money. Then, the Mazhar-Zeenat rollercoaster romance ended in disaster. "Save for Dev Anand, Zeenat has this ability to pick up the wrong guys. Mazhar was a much-married man, why did she choose him?" asks Pradhan.

Shrugging off her sex symbol status and settling down to her role of a spouse, two kids and 12 years of marriage just raced by for Zeenat, except in the last four years. She confined her public appearances in the early years of marriage to launching a phonetics album for kids and an eponymous perfume. Says Kiron Kher: "She gave up working and has been a devoted mother. She's stood by Mazhar and was with him in England during his illness. The last 2-3 years have been very hard for her. The hardest was losing her emotional anchor, her mother." Meanwhile, Mazhar's Gang was shot in spasms. Debts mounted. Then pancreatitis struck him, leading to renal failure. Followed by a marital breakdown.

ASSERTING that while Zeenat only sought separation, it was he who asked for divorce, Mazhar thunders: "I've hit people for her but never lifted a finger on her. I know there has been talk about how much money has been spent on my film and for my treatment in London. Stardust has written that she has spent Rs 70 lakh on me. If she can produce a piece of paper to show that she even spent Rs 70 on me, I'll accept she spent Rs 70-80 lakh on me. Yes, she stood by me but in the entire 14 years we were together, I never took money from her. For the last four years, my family and friends have borne the expenses for my treatment. Jackie Shroff, Nana Patekar, all my friends have rallied around me. Besides, shouldn't she have been glad I had a weakness for carsβ€”not booze, drugs or women?"

Taking all these troubles to heart is 12-year-old Azaan who Zeenat claims is being "brainwashed" by her in-laws. But, says Mehta: "Children find it extremely difficult to understand when another man or woman is living openly in the house. They can't accept anyone else besides their mom and dad. In such a scenario, one can't be blatant about things and confuse them. One should go easy on their emotions."

Though the divorce by "mutual consent" came through in January, the couple have yet to resolve their conflicts. Uppermost among them is the custody of their childrenβ€”as evident in Zeenat's March 25 police complaint which listed "abduction of son Azaan" by Mazhar and family. Well-wishers believe all is not lost. All it needs is an actor called Mazhar Khan and the superstar of such hits as Hare Rama Hare Krishna and Satyam Shivam Sundaram to get their collective witsβ€”and act together.

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FM
quote:
Originally posted by asj:
DARED TO BARE: ZEENIE AMAN:

It is only too well known that at one point of time ZEENAT AMAN actually became the bone of contention between the KHAN brothers FEROZ & SANJAY.Everyone knew it was while she was shooting for QURBANI that she also signed ABUDALLAH with SANJAY KHAN and eventually while the film was under-production she had a whirlwind romance with SANJAY KHAN that resulted in a cloak and dagger Nikaah that left Feroz furious as his loyalty was with the clan. There was soo much bad blood between the brothers that when their respective films were ready for release neither of them was willing to budge on the release date. At the end of the day.Qurbani was an all time hit while Abudallah was a miserable flop of 1980. Something that always pinched SANJAY KHAN.

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very interesting..she was really great in Dhund (i watched that sometime ago)..loved that one song 'ulchan sulche na'. Smile
FM
quote: Freaky

doan tink dats our Zeenie baby AJbhai

dat scene is from Ram Tere Ganga Mehli i believe

dis is Zeenie fame Waterfall scene in SSS

Thanks for the catch Freaky, always wanted to belief that that pix were of our Zeenie Baby, I know that you had the real one somewhere around,
BTW Wasn't it a bit more graphic? know what I mean.

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FM
DARED TO BARE: ZEENIE AMAN:

The late 1970s

Zeenat Aman, in her later career, found success with other banners such as B. R. Chopra, Nasir Hussain, Shakti Samanta, Manoj Kumar and Manmohan Desai.

In 1978, she starred in Raj Kapoor's massively publicised Satyam Shivam Sundaram (1978), however, the film was heavely criticized. The subject ironically dealt with the notion of the soul being more attractive than the body, but Kapoor chose to showcase Aman's sex-appeal. The actress was highly criticized for her exposure but somehow, later on the film had a great deal to do with Zeenat's fame and the movie itself was distinguished as a work of art. She also earned a Filmfare nomination as Best Actress for this film.

Zeenat Aman's entry into Hollywood also backfired when Krishna Shah's Shalimar (1978), co-starring Dharmendra and international names like Rex Harrison and Sylvia Miles, proved to be a failure in the USA and in India. Zeenat possessed a convent schoolgirl accent and a penchant for revealing dresses. She matched Sophia Loren & Gina Lollobrigida in the battle of oomph at Shalimar's launch. 1978 could have been a disaster year for her, because of the diminishing box office returns of Satyam Shivam Sundaram and Shalimar, but it was Don that came to the rescue and set her career soaring again. Ironically, her reasons for accepting the role in Don were altruistic, and she didn't even take any remuneration for it, because she wanted to help the producer, Nariman Irani, who died midway filming.[5] Her role of a Westernized revenge-seeking action heroine contributed to the film's huge success, and her fans reconnected with her again. Westernised heroines like Parveen Babi and Tina Munim now followed in her footsteps, by the late 1970s. Aman continued to act in hits like Dharam Veer, Chhaila Babu and The Great Gambler.

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FM
quote:
Originally posted by chameli:
quote:
Originally posted by IK:
[]'ulchan sulche na'. Smile


don't think i saw DHUNDdunno

thank u for this song IK...found it
Uljhan Suljhe Na and played it over and overCool


We will get to her movies, of which there are so many hits (at least it is planned to list 25) and I am sure that the songs will be a teat. Wink

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FM
DARED TO BARE: ZEENIE AMAN:



The 1980s

By the beginning of the 1980s multi-starrers films became a trend, and Zeenat Aman was increasingly asked to just provide sex appeal in hero-oriented, despite her success in so many films. In contrast to this trend was her performance as a rape victim seeking justice in B. R. Chopra's Insaaf Ka Tarazu (1980) for which she received a Filmfare Best Actress nomination. This film was followed by success in the love triangle Qurbani, Ali Baba aur 40 Chor, Dostana (1980) and Lawaaris (1981).

The critics appreciated her performance in some movies with female-oriented themes like "Bandhan Kuchchey Dhaagon Ka", "Yaadon Ki Barat", "Baat Ban Jaye" & "Namumkin", but none of these films was a much of a success in the video boom era.

Her last role as the female lead was in the movie "Gawahi" a court room drama in 1989.

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FM
DARED TO BARE: ZEENIE AMAN:


The 1990s & 2000s
Zeenat came back to the silver screen after a decade doing a cameo role in the film Bhopal Express, and she went on to do small roles in Boom (2003), Jaana... Let's Fall in Love (2006), Chaurahen (2007) & Ugly Aur Pagli (2008).

She even had a TV show called "In Conversation with Zeenat" made by B4U TV, also made an appearance along with Hema Malini in the popular show Koffee with Karan hosted by Karan Johar.

Zeenat received a Lifetime Achievement Award during the Zee Cine Awards function in 2008, as a recognition of her talent & contribution to Hindi Cinema.
FM
quote:
Originally posted by asj:
quote: Freaky

doan tink dats our Zeenie baby AJbhai

dat scene is from Ram Tere Ganga Mehli i believe

dis is Zeenie fame Waterfall scene in SSS

Thanks for the catch Freaky, always wanted to belief that that pix were of our Zeenie Baby, I know that you had the real one somewhere around,
BTW Wasn't it a bit more graphic? know what I mean.

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Big Grin did not know there was another scene like that. Smile
FM
DARED TO BARE: ZEENIE AMAN:



In the Seventies (70's) Films that propelled Zeenie to lofty heights: And If I can remember, most of these were hits/or super hits

1) Hare Raama Hare Krishna (1971)
2) Yaadon Ki Baaraat (1973)
3) Dhund (1973)
4) Roti Kapada Aur Makaan (1974)
5) Ajanabee (1974)
6) Manoranjan (1974)
7) Darling Darling (1977)
8) Heeralal Pannalal (1978)
9) Satyam Shivam Sundaram (1978)
10)Don (1978)

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FM
DARED TO BARE: ZEENIE AMAN:


HARE RAMA HARE KRISHNA

Dev Anand and Zeenat Aman are siblings who are parted when their parents divorce. The two grow up apart from each other and Zeenat Aman believes her brother to be dead. Dev Anand a pilot comes to know that Zeenat has run away from home and joined up with drug addict hippies. In search of her hereaches Nepal where he finds her. She however refuses to recognise him. Dev Anand meets and falls in love with Mumtaz a local belle. Mumtaz however is kept in the dark about the fact that Zeenat is Dev Anand's sister so she cannot understand Dev's obsession with Zeenat. Dev Anand and Mumtaz get married. Dev Anand tries hard to get his sister out of the cult. When she realises that he is her long lost brother she can't face up to her past and commits suicide.

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FM
DARED TO BARE: ZEENIE AMAN:


dance with a look of ecstasy on her face – partly fuelled by the intake of drugs and partly by the bass beat driving through her head.

It was Zeenat Aman who got all the kudos and
awards and Asha?s "Dum maro dum". Hard to believe, but
Dev Anand rejected the song when R.D. Burman played it
to him. R.D. pleaded with the filmmaker to retain at
least one stanza in the film.

"Dum maro dum" shook two
continents. It became a rage even in the U.K., though
the purists accused Asha Bhosle of defiling the Hindu
religion. Today, the film?s main claim to fame is
Zeenat and "Dum maro dum".


HARE RAMA HARE KRISHNA - DUM MARO DUM:

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DARED TO BARE: ZEENIE AMAN:


Hashish smoke slowly wafts through the air as a raggedy bunch of youths take long hits from their pipes when suddenly a "shush" breaks through the chatter and sharp guitar notes start up and a fuzzy bass line follows like an avenging shadow. Chills ran up my body as Zeenat Aman (well, Asha Bhosle really) hypnotically intones "Dum Maro Dum"

VIDEO: DUM MARO DUM:

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DARED TO BARE: ZEENIE AMAN:

The score from the legendary R.D. Burman is considered one of his best. It has two classic songs – both picturized by Zeenat – the aforementioned Dum Maro Dum and the equally drug induced Pyaar Kushi Ka Ghaam (with the English line "Can we go a little faster man"). In total there are six songs – all strong and the final tune – Phoolon Ka Taron Ka – is a lovely ballad that Dev sings and that Zeenat recognizes from childhood through her daze as a song her brother use to sing to her – it makes for a touching and sad scene.

VIDEO: PHOOLON KA TAARON KA:

REALLY, THIS IS SO BEAUTIFULLY DONE: WE COULD NOT LEAVE THIS OUT
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DARED TO BARE: ZEENIE AMAN:

Synopsis:

Shankar (Dharmendra), Vijay (Vijay Arora), and Ratan (Tariq) are three brothers. On their father's birthday, their mother taught them a song titled "Yaadon Ki Baaraat" which they held dearly to their hearts. As fate has it, one day, the boys' father witnessed a robbery by Shakaal (Ajit), and his henchmen. To protect their identity, Shakal decided to kill the boys' father before he could go to the police. So, Shakaal and his men storm into the boys' father's room and kill both their mother and father. Shankar and Vijay witness the act and flee. They make their way to a passing train, where Shankar is separated from Vijay.
Several years pass by and the boys have grown up. Shankar is haunted by the memory of his parent's murder and is now joined by his friend Usman on a crime spree around the city. Vijay was adopted by a fairly wealthy man who is the groundskeeper to the love of his life, Sunita (Zeenat Aman) & Ratan, was raised by the boys' maid, and changed his name to Monto. With his new identity, Monto started a band and does gigs at hotels for a living. It is interesting to see the events that lead to the brothers reuniting and fighting their father’s murderer.

NB Nasir Husain had wanted to cast his regular actress Asha Parekh, but she was busy dancing abroad, so he gave the role to Zeenat Aman fresh off from Hare Rama Hare Krishna.

Yaadon Ki Baraat went on to become a super hit, and now with two crowd puller under her belt, Zeenie were riding on nine clouds.

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After Yaadon Ki Baraat, Zeenat Aman went on to give us "Dhund" (The Fog) in 1973. This one was not a hit per se, the film had a good run, and yet another plus for Zeenie.


Chandrashekhar's car breaks down in the middle of the night amidst a thick fog in the country-side. Taking his flashlight, he approaches a nearby house, and knocks on the door. Upon getting no answer, he finds that the door is open. Once inside, he observes a male seated in a chair and asks his permission to use the telephone. When he gets no response, he gently nudges this male, and the body falls down. Chandrashekhar goes over to the telephone to phone the police, and it is then that he sees a young, beautiful woman with a gun in her hand. He is attracted to this woman, though he knows that she killed this male. The woman identifies herself as Rani, the wife of the dead man, and admits to killing him due to his abuse and atrocities. Chandrashekhar feels protective towards this widow, and together they concoct a tale to fool the police, and create a description of a ficticious robbery suspect, without realizing that the person they described is real, and has been arrested for this homicide. It is then the police and the prosecution realize that there is more to this homicide than they imagined.

Movie Details
Genre: Mystery / Thriller
Language: Hindi
Running Time : 2 hrs. 10 mins.
Release date and status: Released in 1973

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Wow!!! what a wonderful song by Asha Bhosle, this one is a suprprise type more of the Lata Mangeshkar type of song.

I enjoyed "Uljhan suljhe na" played it a few times and will do some more.........very catchy.

Uljhan Suljhe Na... Rasta Soojhe Na
Jau Kaha Main Jau Kaha

Mera Dil Ka Andhera
Huwa Aur Ghanera
Kuchh Samajh Na Pau
Kya Hona Hain Mera
Khadi Do Rahein Par
Ye Sochu Ghabhrakar
Jau Kaha Main

Jo Saans Bhi Aaye
Tan Cheer Ke Jaye
Is Haal Se Koi
Kis Tarah Nibhaye
Na Jeena Raas Aaya
Na Marna Hi Bhaya
Jau Kaha Main

Koi Aas Pale Na
Koi Phool Khile Na
Taqdeer Ke Aage
Meri Pesh Chale Na
Bahut Ki Tadbeerein
Na Tooti Zanjeerein
Jau Kaha Main

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DARED TO BARE: ZEENIE AMAN:


On a misty mountain road, a car meets with an accident and the driver, Shekhar (Navin Nischol), knocks on the door of the nearest house to get help. He finds the door unlocked and decides to walk in. Inside, he discovers the murdered master of the house - Ranjit Singh (Danny Denzongpa) - and the murderer holding the proverbial smoking gun. This is how good murder mysteries should begin. :-D When the camera moves to show the murderer, I’m not surprised that β€˜he’ is a gorgeous woman – the script requires it! To make matters even more interesting, the gorgeous woman turns out to be none other than Ranjit Singh’s long-suffering wife Rani (Zeenat Aman).


Rani tells a tale of years of relentless persecution that culminated in a fight where a loaded gun went off accidentally, and the persecutor became the victim. Moved by her tale of woe, Shekhar decides to help her escape a murder rap (who wouldnt want to slay dragons for such a beautiful damsel-in-distress?!). A plea of self-defence occurs to neither of them! O wait, maybe self-defence is a modern phenomenon and didnt occur in the 1970s?


Shekhar and Rani concoct a tale of a fictitious break-in to explain Ranjit’s murder by an unknown outsider and also contrive to give Rani an alibi. Things go smoothly for the conspirators. The body is duly discovered by the house-maid, Radha, whose screams summon the rest of the household. Shekhar makes his re-entry as a car-wrecked stranger seeking help, and calls in the police. The law-enforcement turns up in full force with Inspector Joshi (Madan Puri), Inspector Bakshi (Jagdish Raj) and several others. (Its re-assuring to know that even at midnight, police stations are so full of policemen!)


When the police begin the questioning, Shekhar hands over the murder weapon with the story of picking it up after colliding with a man running out of the house. He claims to be unable to describe the stranger as the mist hid the latter almost completely. The police find the β€œevidence” of robbery but are convinced that its an inside job. They begin to look for the murderer in Ranjit Singh’s own household. And the more they learn about Ranjit Singh and his family, the more suspects they find!

Will leave it off from there, cant give away all

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quote:
Originally posted by asj:
After Yaadon Ki Baraat, Zeenat Aman went on to give us "Dhund" (The Fog) in 1973. This one was not a hit per se, the film had a good run, and yet another plus for Zeenie.


Chandrashekhar's car breaks down in the middle of the night amidst a thick fog in the country-side. Taking his flashlight, he approaches a nearby house, and knocks on the door. Upon getting no answer, he finds that the door is open. Once inside, he observes a male seated in a chair and asks his permission to use the telephone. When he gets no response, he gently nudges this male, and the body falls down. Chandrashekhar goes over to the telephone to phone the police, and it is then that he sees a young, beautiful woman with a gun in her hand. He is attracted to this woman, though he knows that she killed this male. The woman identifies herself as Rani, the wife of the dead man, and admits to killing him due to his abuse and atrocities. Chandrashekhar feels protective towards this widow, and together they concoct a tale to fool the police, and create a description of a ficticious robbery suspect, without realizing that the person they described is real, and has been arrested for this homicide. It is then the police and the prosecution realize that there is more to this homicide than they imagined.

Movie Details
Genre: Mystery / Thriller
Language: Hindi
Running Time : 2 hrs. 10 mins.
Release date and status: Released in 1973

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this movie is a thriller...it's worth a second look...she was amazing in here and Sanjay..man was he ever good looking..but the storyline is great..Danny was great too. Cool
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One of the many stars whom Dev Anand brought into the limelight is Zeenat Aman. She was the second runner-up in 1973 Miss India and immediately in her Dev Anand saw all the ingredients of a future star. Thus she became the new face to reckon with.

Zeenat Aman started her career with 'Hare Rama Hare Krishna' where she played the role of a hippie girl. Her very first film fetched her the Filmfare Best Supporting Actress award. Her future as the most beautiful model-turned-actress was inscribed. Soon she grabbed two prestigious film offers with the Nasir Hussain camp. Her movies 'Yaadon Ki Baraat' and 'Hum Kisise Kam Nahin' is still remembered because of her flawless beauty and breathtaking screen appeal. Sanjay Khan cast her in the movie 'Abdulla' where she was supposed to wear saffron gowns. But her beauty was enhanced in that and people appreciated her all the more. She was so flamboyant, she even left her marks in a multi-starrer film like 'Raj Tilak'. Zeenat then teamed up with the Big B to give some of the biggest hits in the industry. Her career as an actress really came off quite well in films like 'Don', 'Laawaris', 'Dostana', 'The Great Gambler', 'Mahaan' and 'Pukar'. Then Feroz Khan's 'Qurbani' happened and this beauty showed the world that she could dance as well. The songs of this film became the national songs and Zeenat was the heartthrob of many teenyboppers of that time. Someone who thought this Miss India could only look good, dance and hog the limelight, had another thing coming their way. With Raj Kapoor's 'Do Jasoos' and 'Satyam Shivam Sundaram', she proved all her critics wrong. She enthralled everyone by her mind-blowing acting performance. She was invincible.

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DARED TO BARE: ZEENIE AMAN:

ROTI KAPDA AUR MAKAAN:

(Food, clothing, and shelter) is a 1974 Bollywood Hindi-language film which is written, produced, directed by and stars Manoj Kumar alongside Shashi Kapoor, Zeenat Aman, Amitabh Bachchan, Moushmi Chatterjee, Prem Nath and Madan Puri in pivotal roles. Laxmikant Pyarelal were the music directors. The film was the highest grossing film of 1974

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Synopsis

After the retirement of his dad (Krishan Dhawan), the responsibility is on Bharat (Manoj Kumar) to look after his Delhi-based family. He has two younger college-going brothers, Vijay (Amitabh Bachchan) and Deepak (Dheeraj Kumar) and a sister of marriage age, Champa (Meena T.). Although Bharat himself is a college graduate, the only work he can find is as a low-paid singer, much to the frustration of his girlfriend, Sheetal (Zeenat Aman). Meanwhile, Vijay has turned to crime as a last option to provide for the family, but after an argument with Bharat, he leaves home to join the army.

Sheetal starts working as a secetary for rich businessman Mohan Babu (Shashi Kapoor) and Mohan becomes attracted to her. She too becomes attracted to Mohan Babu but is more interested in his wealth and luxury. She loves Bharat but cannot contemplate a life in poverty. Bharat finally finds a job as a builder but starts to realise that Sheetal is slowly drifting away from his life. Afterwards he loses his job as a builder after the government takes over the building site currently being constructed and his financial problems increase further. When Sheetal's boss, Mohan Babu, proposes marriage, she accepts and soon both are engaged leaving Bharat heartbroken. After losing his love, Bharat also loses his father, devastating him and leaving him unable to deal with his life. Frustrated, Bharat burns his diploma on his father's funeral pyre.

Meanwhile, his sister Champa has found a suitor, but Bharat has no money to pay for the wedding and it cannot go ahead. Still depressed at the state of his life, Bharat soon finds salvation by helping a poor girl, Tulsi (Moushmi Chatterjee), who also lives in poverty but gets by. He also makes friends with Sardar Harnam Singh (Prem Nath) who comes to his rescue when he attempts to save Tulsi from a gang of hoodlums. He then receives an offer from a corrupt businessman named Nekiram (Madan Puri) who persuades Bharat to do his illegal activities and he and his family will finally come out of poverty and be wealthy. The plot centers on whether Bharat agree to this, or whether his moral nature stop him from turning to crime to provide for his family.

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