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REKHA AT 59

 

rekha-dad.jpg

Rekha's parents were not married and her father Gemini Ganesan refused to acknowledge her. On her part, Rekha kept her identity secret and revealed her origins and the story of her father's neglect much later in her career. She was famously estranged from her father after she made it big and ignored his attempts at reconciliation. Gemini Ganesan already had four daughters with his first wife, Alamelu. He had a second daughter with Pushpavalli, and another daughter and a son with second wife Savitri. Rekha has one sister, five half sisters and a half brother.

FM

REKHA AT 59

 

rekha-sawan.jpg

Credited as Baby Bhanurekha in the Telugu film Rangula Ratnam (1966), Rekha made her debut at age 12. Rekha made her Bollywood debut in 1969 with the movie Anjana Safar (later retitled Do Shikari). She bagged her first leading role with Sawan Bhadon (1970) opposite Navin Nischol.

The film was a big hit and Rekha became a star overnight.

FM

REKHA AT 59

 

rekha-dark.jpg

Despite her new-found stardom, Rekha's first few years in Bollywood were harrowing. She struggled with the Hindi language and was bewildered by the barrage of criticism about her dark complexion, voluptuous figure and “South Indian looks.” It took a complete reinvention of her image, helped by a strict regime of diet and yoga, for Rekha to be acknowledged as one of Bollywood's beauties.

FM

REKHA AT 59

 

rekha-doanjaane.jpg

After a string of mostly forgettable films, Rekha's breakthrough came with 1976's Do Anjaane. Critics heaped praise on her performance as an ambitious wife, but Do Anjaane, was notable for one other reason – it was her first film opposite frequent collaborator and rumoured off-screen paramour Amitabh Bachchan.

FM

REKHA'S UMRAO JAAN:

 

MOVIE : UMRAO JAAN 1981
SINGER: ASHA BHOSLE
LYRICS: SHAHRYAR
MUSIC : KHAYYAM

 



1) DIL CHEEZ KYA HAI APP MERII JAAN LIIJIYE

http://www.youtube.com/watch?v=3oFm4MYbb9o

Dil cheez kya hai aap merii jaan liijiye
Never mind my heart, Take my very life!
Bas ek baar mera kahaa...maan liijiye
Just once, do what I ask you
Dil cheez kya hai aap merii jaan liijiye
Never mind my heart, Take my very life!

Is anjuman mein aap ko aana hai baar baar
You must come, time and again, to this court
Diiwaar-o-dar ko ghaur se... pahachaan liijiye
Get to know every nook and corner well
Dil cheez kya hai aap merii jaan liijiye
Never mind my heart, Take my very life!

Maana ki doston ko nahiin
It is agreed that friends don't
Doston, doston ko nahiin
That friends don't
Maana ke doston ko nahiin dostii ka paas
It is agreed that friends don't respect friendships;

Lekin yeh kya ke ghair ka...ehasaan liijiye
But why do you accept favors from strangers?
Dil cheez kya hai aap merii jaan liijiye
Never mind my heart, Take my very life!

Kahiye to...aasmaan ko
If you just say so
Kahiye to aasmaan ko zamiin par utaar laayen
If you just say so, then I shall lay the sky at your feet,

Mushkil nahiin hai kuchh bhii
Nothing is difficult;
Mushkil nahiin hai kuchh bhii agar Thaan liijiye
Nothing is difficult if you set your heart on it.
Dil cheez kya hai aap merii jaan liijiye
Never mind my heart, Take my very life!

Bas ek baar
Just for once
Bas ek baar mera kahaa maan liijiye
Just once, do what I ask you
Maan liijiye
Do it

Trans: Venkat

FM

REKHA'S UMRAO JAAN:

 

(In Aankhon Kii Mastii Ke,)2 (Mastaane Hazaaron Hain)2
There are thousands intoxicated by the passion of these eyes,


Ahh!!!!, Eyes. Just about three square inches of your body, but they do so much.

They look, they see, they peer, they peek, they glance, they glare, they ogle, they leer, they observe, they spy and seek. They can calm a crying child, cajole a brat. They can shout silently, or show compassion, or shoot arrows directly into your heart. They can console and comfort, display awe and anger, show love, lust and longing. They can cry, complain, or cause anguish in a lover's heart. They can mock, muse or move you. They can speak, smile and seduce. They can induce, implore or intoxicate.

Man can make an imitation of almost every part of the human body with today's technology. Man can make a camera that can see, but he can never make an eye. God kept the secret of making eyes to Himself. That is because that is where He put the soul, another thing that man cannot make.

 

 

FM

REKHA'S UMRAO JAAN:

 

MOVIE : UMRAO JAAN 1981
SINGER: ASHA BHOSLE
LYRICS: SHAHRYAR
MUSIC : KHAYYAM

 



2) IN AANKHON KII MASTII KE

http://www.youtube.com/watch?v=cXdJJvpgTvw

(In Aankhon Kii Mastii Ke,)2 (Mastaane Hazaaron Hain)2
There are thousands intoxicated by the passion of these eyes,
(In Aankhon Se Vaabastah)2 Afasaane Hazaaron Hain
Thousands of romances have been spun about these eyes,

(Ik Tum Hii Nahiin Tanhaa)2, (Ulafat Mein Merii Rusavaa)2
You are not the only one disgraced by your desire for me,
(Is Shahar Mein Tum Jaise)2 (Diivaane Hazaaron Hain)2
In this city, there are thousands of mad men just like you,

In Aankhon Kii Mastii Ke, Mastaane Hazaaron Hain
There are thousands intoxicated by the passion of these eyes,

(Ik Sirf hum hii may Ko)2 (Aankhon Se Pilaate Hain)2
I am the only one that can intoxicate you with my eyes
(Kahane Ko To Duniyaa Mein)2 (Mayakhaane Hazaaron Hain)2
Although there are thousands of wine houses in this world

In Aankhon Kii Mastii Ke, Mastaane Hazaaron Hain
There are thousands intoxicated by the passion of these eyes,

(Is Shamm-e-Farozaan Ko)2 (Aandhii Se Daraate Ho)2
You are trying to frighten this lighted candle with a mere storm,
(Is Shamm-e-Farozaan Ke)2 (Paravaane Hazaaron Hain)2
Thousands of moths are drawn to this brilliant candle,

(In Aankhon Kii Mastii Ke)2 (Mastaane Hazaaron Hain)2
There are thousands intoxicated by the passion of these eyes,
(In Aankhon Se Vaabastaa)2 Afasaane Hazaaron Hain
Thousands of romances have been spun about these eyes,

Trans: Venkat

FM

REKHA'S UMRAO JAAN:

 

MOVIE : UMRAO JAAN 1981
SINGER: ASHA BHOSLE
LYRICS: SHAHRYAR
MUSIC : KHAYYAM

 


3) YEH KYA JAGAH HAI DOSTON

http://www.youtube.com/watch?v=1_59l5BCeso

 

(Yeh kya jagah hai doston)2
What is this place, friends?
(Yeh kaunsa dayaar hai)2
Which region is this
(Had-e-nigaah tak jahaan)2
Where, for as far as the eye can see,
(Gubaar hii gubaar hai)2
Is dust-storm upon dust-storm?

Yeh kya jagah hai dostoon
What is this place, friends?

(Yeh kis maqaam par hayaat)2
To what resting place has life
(Mujhko leke aa ga'ii)2
brought me,
(Na bas khushii pe hai jahaan)2
Where I have neither command over joy,
(Na gam pe ikhtiyaar hai)2
Nor power over my sorrow?

Yeh kya jagah hai doston
What is this place, friends?
(Yeh kaunsa dayaar hai)2
Which region is this

(Tamaam umr ka hisaab)2 (maangtii hai zindagii)2
Life asks me for an account of all my years
(Yeh mera dil kahe to kya)2
What will this heart of mine say?
(Yeh khud se sharmasaar hai)2
It is ashamed of itself

Yeh kya jagah hai dostoon
What is this place, friends?
(Yeh kaunsa dayaar hai)2
Which region is this?

(Bulaa rahaa hai kaun)2
Who is calling
Mujhko chilmanon ke us taraf
me from the edge of those reed curtains?
(Mere li'e bhii kya koii)2
Is there anyone at all for me?
(Udaas beqaraar hai)
Sorrow is so hard to bear

yeh kya jagah hai dostoon
What is this place, friends?
yeh kaunsa dayaar hai
Which region is this?
had-e-nigaah tak jahaan
For as far as the eye can see,
(Gubaar hii gubaar hai)2
There is only dust-storm upon dust-storm.

Yeh kya jagah hai doston
What is this place, friends?

Trans:

 

FM

REKHA AT 59

 

rekha-kbm.jpg

One of her other notable films, revenge tale Khoon Bhari Maang, showed a completely different side of the actress. She played the role of a shy, homely woman in the first half, who transforms herself into a femme-fatale later in the film.The film was directed and produced by Rakesh Roshan and was a remake of the Australian mini-series Return To Eden (1983).

The movie was very well received by the critics and fans alike and won Rekha her second Filmfare Best Actress Award in 1988.

FM

REKHA AT 59

 

rekha-kkk.jpg

Rekha's career graph showed a dip at the dawn of the '90s and she started losing lead roles to younger actresses.Once again, she put her talent for reinvention to good use with roles in Mira Nair's risquÃĐ Kama Sutra: A Tale of Love (1996) and the commercially successful Khiladiyon Ka Khiladi (1996) opposite Akshay Kumar. In the latter, she played the role of a gangster (which won her another award) and earned her the nicname Madam X.

 

Khiladiyon Ka Khiladi was a major grosser and earned Rekha several awards, including the Filmfare Best Supporting Actress Award and the Star Screen Award for Best Villain.

 

 

FM



One day you will come to know
that no matter how far you may go
the joys and sorrows that we share
are just like the touch of your hair
which is full of tender care

No these are not lines from the Bollywood Blockbuster "Silsila"

It might appears that Rekha is mumbling these words, but then again it took her
an eternity to understand the cruelty and the hurt that one can go through in life,
After years of bitterness she must have found out that.....
Love is blind, deaf and mute. It’s like a child playing in the mud. You cannot reprimand the child with logic at that time. It doesn’t matter to her that she is getting her hands, feet and clothes soiled. It’s only when she falls and hurts herself, that the tears will flow. And by then, it’s too late. The wound is inevitable. Love is not a momentary feeling. Love cannot be so ruthless. But it doesn’t hold a promise of permanence either.

Wonder what is her thoughts now about the relationship........wonder what is Amitabh thoughts now, will we ever know?

Rekha made headlines when she turned up for Rishi Kapoor and Neetu Singh's wedding wearing sindoor, mangalsutra and two rings on her fingers gifted by her Amit. She hogged all the limelight that night - even more than the newly weds did.

As we look down memory lane, we focussed our lens on Rekha as she hit that age of 59.

FM

REKHA AT 59

 



Rekha has acted in over 180 films in a career that has spanned 40 years. She has reinvented herself numerous times in her career and is known for her ability to sustain her status. Taking part in both Indian mainstream and art cinema, known in India as parallel cinema, she has achieved commercial success, as well as critical praise for her performances throughout the years.

FM

REKHA AT 59

 

Ahh!!!!, Eyes. Just about three square inches of your body, but they do so much. They look, they see, they peer, they peek, they glance, they glare, they ogle, they leer, they observe, they spy and seek. They can calm a crying child, cajole a brat. They can shout silently, or show compassion, or shoot arrows directly into your heart. They can console and comfort, display awe and anger, show love, lust and longing. They can cry, complain, or cause anguish in a lover's heart. They can mock, muse or move you. They can speak, smile and seduce. They can induce, implore or intoxicate.

Man can make an imitation of almost every part of the human body with today's technology. Man can make a camera that can see, but he can never make an eye. God kept the secret of making eyes to Himself. That is because that is where He put the soul, another thing that man cannot make.

FM

REKHA AT 59

 

She also said: “Every single day I cried, because I had to eat what I didn't like, wear crazy clothes with sequins and stuff poking into my body. Costume, jewelery would give me an absolute terrible allergy. Hair spray wouldn't go off for days even despite all my washing. I was pushed, literally dragged from one studio to another. A terrible thing to do to a 13-year-old child.” [Express archive photo)

“Every single day I cried, because I had to eat what I didn't like, wear crazy clothes with sequins and stuff poking into my body. Costume, jewelery would give me an absolute terrible allergy. Hair spray wouldn't go off for days even despite all my washing. I was pushed, literally dragged from one studio to another. A terrible thing to do to a 13-year-old child.” (Express archive photo)

FM

REKHA AT 59

 

However today Rekha is noted for her versatility and is acknowledged as one of the finest actresses in Bollywood, she was often panned for her looks in the early stages of her career. It was not until the mid-to-late 1970s that she got recognition as an actress. Since the late 1970s, after undertaking a physical transformation, she has been featured as a sex symbol in Bollywood. [Express archive photo)

However today Rekha is noted for her versatility and is acknowledged as one of the finest actresses in Bollywood, she was often panned for her looks in the early stages of her career. It was not until the mid-to-late 1970s that she got recognition as an actress. Since the late 1970s, after undertaking a physical transformation, she has been featured as a sex symbol in Bollywood. (Express archive photo)

FM

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