#11 DEVDAS 2002
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Former Member
ROMANTIC BOLLYWOOD MOVIES:
#11 DEVDAS 2002
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#11 DEVDAS 2002
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Former Member
ROMANTIC BOLLYWOOD MOVIES:
#11 DEVDAS 2002
THE STORY:
Sir Narayan Mukherjee (Vijay Crishna), a zamindar, and his wife Kaushalya (Smita Jaykar) have heard that their younger son, Devdas (Shahrukh Khan), is coming home from a law school in England to their mansion in Tal Sonapur, Bengal. On the day of his return, Kaushalya insists everyone in the family close their eyes so that she will be the first person to see him. Her plan backfires, however, when instead of coming straight home, Devdas goes to see Parvati "Paro" Chakraborty (Aishwarya Rai), his childhood sweetheart, first. This incident ignites Kaushalya's dislike of Paro.
Paro is Devdas's neighbour and childhood friend. The years apart turned their friendship into love. When he was sent to England at the age of ten, she lit a lamp for him, which she carefully tended to over the years and never allowed to extinguish. At first, when Devdas comes to her house to see her for the first time in ten years, Paro is shy and runs to her room. A bee flies in and Paro, who is frightened of bees, tries to swat it away with a sheet. This turns into a sort of dance and Devdas opens the door to her room as she is swirling around with the sheet. Paro collapses on the bed, hiding her face from Dev. They have a short chat (during which Dev catches the offending bee) but Dev leaves and Paro reveals to her mother that she wants Dev to see her adult face by moonlight. Later that evening, Devdas is walking outside when he sees Paro, who has fallen asleep in her courtyard, her lamp by her side. Dev sits by her for a while, stunned by her beauty, before teasingly placing a dot of soot from the lamp on her lip and leaving. Paro wakes and sees the door to his house swing shut and falls back to sleep, smiling.
It seems to everyone, including Paro's mother Sumitra (Kirron Kher), that Devdas and Paro will get married, but Devdas's vindictive sister-in-law Kumud (Ananya Khare) reminds Kaushalya of Paro's maternal lineage, from a family of performing artists. This is considered inappropriate for an alliance with the Mukherjee family. Kumud and Kaushalya underhandedly plan for Paro to marry an old man and trick Sumitra into thinking Paro's bridegroom will be Dev. When Sumitra announces her desire for Devdas and Paro to marry, Kaushalya rejects and humiliates her in public. In retaliation, Sumitra vows to ensure that Paro will get an even better marriage, and soon arranges for Paro to marry Thakur Bhuvan Chaudhry (Vijayendra Ghatge), a forty-year-old widowed aristocrat with three grown children.
Devdas gets into a fight with his father about his relationship with Paro, and flees to a brothel with his college friend Chunnibabu (Jackie Shroff). He leaves a letter for Paro, stating that love had never existed between them. At the brothel, Devdas meets a good-hearted tawaif (courtesan) named Chandramukhi (Madhuri Dixit), who falls in love with him. Soon, Devdas realizes his error.
Meanwhile, as he is leaving, Sumitra makes Paro swear that if Dev leaves without her she will marry whomever she tells her to. When he leaves Paro is hurt and angry and agrees with her mother.
Devdas returns to Paro at the time of her wedding to Bhuvan Chaudhry and asks her to elope with him. Paro refuses, remembering the way he had discarded her so easily. Dev, in a brief moment of anger and hurt, strikes Paro with a pearl necklace and marking her forehead with a small cut. Sobbing, Dev leads Paro to her bridal procession and Paro, still holding her lamp, breaks into sobs as she is carried away. Back in the brothel, Chandramukhi waits for Dev, refusing to dance until he arrives. An impatient patron, Kalibabu offers her a set of new dancing bells, but to no avail. Kalibabu and Chandramukhi make a bet: if Dev does not appear before a certain candle burns out, Chandramukhi will dance, but if he comes before the candle burns out, Kalibabu will leave the brothel wearing the dancing bells (an insult). Just as the candle burns out, Devdas appears and Chandramukhi dances happily. But for Devdas, having lost both Paro's and his family's love is too much and he is heartbroken. He becomes very drunk as Chanrdamukhi dances. He moves to Chandramukhi's brothel permanently and becomes an alcoholic. Eventually, he becomes so ill that the slightest dose of alcohol could kill him. Chandramukhi, who cares deeply for Devdas, tries to get Paro to convince him to stop drinking; Paro attempts to persuade him, but she does not succeed. However, Devdas promises Paro that before he dies, he will come to her doorstep one last time.
Paro invites Chandramukhi, whom she has befriended, to a celebration of Durga Puja at her husband's home and introduces Chandramukhi to her in-laws without revealing her profession. However, Bhuvan's ill-natured son-in-law who turns out to be Kalibabu (Milind Gunaji), who was banned from Chandramukhi's brothel and who made inappropriate advances towards Paro, reveals her background and humiliates her in front of Bhuvan and the guests. He also tells Bhuvan of Paro's relationship with Devdas. As a result, Bhuvan punishes Paro by permanently forbidding her from leaving the mansion.
Devdas, who had never before let Chandramukhi touch him, finally tells her that he loves her, but that she must let him go. He decides to travel the country, and takes Dharamdas (Tiku Talsania), a trusted servant, with him. While on a train, he meets his old friend Chunnibabu, who offers him a glass of wine. Devdas initially refuses but when Chunnibabu, (who doesn't know about his fatal condition) says he should do it for friendship's sake, he drinks it knowing it would be fatal.
On the verge of death, Devdas remembers his promise to see Paro one last time. He travels to her house, collapsing in front of the main gate. Paro learns of his presence, and, screaming his name, runs out of the house and attempts to reach him. Bhuvan, probably thinking she is going to escape for her lover, sees this and orders the servants to close the gates. Devdas sees a blurred image of Paro running to him, but the gates close before she can reach him and Devdas dies. At the same time, the lamp that Paro had lit for him flickers out. The screen goes black as Devdas lies dead in front of the mansion as Paro sobs, heartbroken.
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#11 DEVDAS 2002
THE STORY:
Sir Narayan Mukherjee (Vijay Crishna), a zamindar, and his wife Kaushalya (Smita Jaykar) have heard that their younger son, Devdas (Shahrukh Khan), is coming home from a law school in England to their mansion in Tal Sonapur, Bengal. On the day of his return, Kaushalya insists everyone in the family close their eyes so that she will be the first person to see him. Her plan backfires, however, when instead of coming straight home, Devdas goes to see Parvati "Paro" Chakraborty (Aishwarya Rai), his childhood sweetheart, first. This incident ignites Kaushalya's dislike of Paro.
Paro is Devdas's neighbour and childhood friend. The years apart turned their friendship into love. When he was sent to England at the age of ten, she lit a lamp for him, which she carefully tended to over the years and never allowed to extinguish. At first, when Devdas comes to her house to see her for the first time in ten years, Paro is shy and runs to her room. A bee flies in and Paro, who is frightened of bees, tries to swat it away with a sheet. This turns into a sort of dance and Devdas opens the door to her room as she is swirling around with the sheet. Paro collapses on the bed, hiding her face from Dev. They have a short chat (during which Dev catches the offending bee) but Dev leaves and Paro reveals to her mother that she wants Dev to see her adult face by moonlight. Later that evening, Devdas is walking outside when he sees Paro, who has fallen asleep in her courtyard, her lamp by her side. Dev sits by her for a while, stunned by her beauty, before teasingly placing a dot of soot from the lamp on her lip and leaving. Paro wakes and sees the door to his house swing shut and falls back to sleep, smiling.
It seems to everyone, including Paro's mother Sumitra (Kirron Kher), that Devdas and Paro will get married, but Devdas's vindictive sister-in-law Kumud (Ananya Khare) reminds Kaushalya of Paro's maternal lineage, from a family of performing artists. This is considered inappropriate for an alliance with the Mukherjee family. Kumud and Kaushalya underhandedly plan for Paro to marry an old man and trick Sumitra into thinking Paro's bridegroom will be Dev. When Sumitra announces her desire for Devdas and Paro to marry, Kaushalya rejects and humiliates her in public. In retaliation, Sumitra vows to ensure that Paro will get an even better marriage, and soon arranges for Paro to marry Thakur Bhuvan Chaudhry (Vijayendra Ghatge), a forty-year-old widowed aristocrat with three grown children.
Devdas gets into a fight with his father about his relationship with Paro, and flees to a brothel with his college friend Chunnibabu (Jackie Shroff). He leaves a letter for Paro, stating that love had never existed between them. At the brothel, Devdas meets a good-hearted tawaif (courtesan) named Chandramukhi (Madhuri Dixit), who falls in love with him. Soon, Devdas realizes his error.
Meanwhile, as he is leaving, Sumitra makes Paro swear that if Dev leaves without her she will marry whomever she tells her to. When he leaves Paro is hurt and angry and agrees with her mother.
Devdas returns to Paro at the time of her wedding to Bhuvan Chaudhry and asks her to elope with him. Paro refuses, remembering the way he had discarded her so easily. Dev, in a brief moment of anger and hurt, strikes Paro with a pearl necklace and marking her forehead with a small cut. Sobbing, Dev leads Paro to her bridal procession and Paro, still holding her lamp, breaks into sobs as she is carried away. Back in the brothel, Chandramukhi waits for Dev, refusing to dance until he arrives. An impatient patron, Kalibabu offers her a set of new dancing bells, but to no avail. Kalibabu and Chandramukhi make a bet: if Dev does not appear before a certain candle burns out, Chandramukhi will dance, but if he comes before the candle burns out, Kalibabu will leave the brothel wearing the dancing bells (an insult). Just as the candle burns out, Devdas appears and Chandramukhi dances happily. But for Devdas, having lost both Paro's and his family's love is too much and he is heartbroken. He becomes very drunk as Chanrdamukhi dances. He moves to Chandramukhi's brothel permanently and becomes an alcoholic. Eventually, he becomes so ill that the slightest dose of alcohol could kill him. Chandramukhi, who cares deeply for Devdas, tries to get Paro to convince him to stop drinking; Paro attempts to persuade him, but she does not succeed. However, Devdas promises Paro that before he dies, he will come to her doorstep one last time.
Paro invites Chandramukhi, whom she has befriended, to a celebration of Durga Puja at her husband's home and introduces Chandramukhi to her in-laws without revealing her profession. However, Bhuvan's ill-natured son-in-law who turns out to be Kalibabu (Milind Gunaji), who was banned from Chandramukhi's brothel and who made inappropriate advances towards Paro, reveals her background and humiliates her in front of Bhuvan and the guests. He also tells Bhuvan of Paro's relationship with Devdas. As a result, Bhuvan punishes Paro by permanently forbidding her from leaving the mansion.
Devdas, who had never before let Chandramukhi touch him, finally tells her that he loves her, but that she must let him go. He decides to travel the country, and takes Dharamdas (Tiku Talsania), a trusted servant, with him. While on a train, he meets his old friend Chunnibabu, who offers him a glass of wine. Devdas initially refuses but when Chunnibabu, (who doesn't know about his fatal condition) says he should do it for friendship's sake, he drinks it knowing it would be fatal.
On the verge of death, Devdas remembers his promise to see Paro one last time. He travels to her house, collapsing in front of the main gate. Paro learns of his presence, and, screaming his name, runs out of the house and attempts to reach him. Bhuvan, probably thinking she is going to escape for her lover, sees this and orders the servants to close the gates. Devdas sees a blurred image of Paro running to him, but the gates close before she can reach him and Devdas dies. At the same time, the lamp that Paro had lit for him flickers out. The screen goes black as Devdas lies dead in front of the mansion as Paro sobs, heartbroken.
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Former Member
ROMANTIC BOLLYWOOD MOVIES:
#11 DEVDAS 2002
HIT SONGS:
1) MAAR DALA:
2) DOOLA RE DOOLA:
THE VIDEO: MAAR DALA
THE VIDEO: DOLA RE DOLA:
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#11 DEVDAS 2002
HIT SONGS:
1) MAAR DALA:
2) DOOLA RE DOOLA:
THE VIDEO: MAAR DALA
THE VIDEO: DOLA RE DOLA:
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Former Member
ROMANTIC BOLLYWOOD MOVIES
#12 TAJ MAHAL 1963
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#12 TAJ MAHAL 1963
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Former Member
ROMANTIC BOLLYWOOD MOVIES:
#12 TAJ MAHAL 1963
THE STORY
It was at the Meena Bazar that Shehzada Khurram first laid eyes on Arjuman Banu. When their eyes met it was love at first sight for both of them. When Queen Noor Jehan, one of the wives of Shahenshah Jehangir, finds out she is enraged, as she wants Khurram to get married to her daughter, Ladli Banu, even though Arjuman is her niece. She plots to hold Arjuman as a prisoner in her palace, but in vain; then she attempts to have Khurram sent away to battle - again in vain, as Khurram returns triumphant, and is named 'Shah Jehan'. Then she has her step-son, Saifuddin, arrange to kill Khurram - again in vain. Khurram gets stabbed but with Arjuman's help he recovers, returns home, but does not tell his father, fearing for his health. When Jehangir hears of Arjuman's assistance, he gladly arranges their marriage, while Saifuddin ends up marrying Ladli. Then Khurram is sent away to another kingdom, leaving Noor Jehan to plot against him. When Jehangir falls ill, she takes over the reins, has Khurram declared an intruder and sends her armies to bring him in or alternatively his two sons. Watch as events unfold, which will ultimately lead to the building of one of the seven wonders of the world - The Taj Mahal.
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#12 TAJ MAHAL 1963
THE STORY
It was at the Meena Bazar that Shehzada Khurram first laid eyes on Arjuman Banu. When their eyes met it was love at first sight for both of them. When Queen Noor Jehan, one of the wives of Shahenshah Jehangir, finds out she is enraged, as she wants Khurram to get married to her daughter, Ladli Banu, even though Arjuman is her niece. She plots to hold Arjuman as a prisoner in her palace, but in vain; then she attempts to have Khurram sent away to battle - again in vain, as Khurram returns triumphant, and is named 'Shah Jehan'. Then she has her step-son, Saifuddin, arrange to kill Khurram - again in vain. Khurram gets stabbed but with Arjuman's help he recovers, returns home, but does not tell his father, fearing for his health. When Jehangir hears of Arjuman's assistance, he gladly arranges their marriage, while Saifuddin ends up marrying Ladli. Then Khurram is sent away to another kingdom, leaving Noor Jehan to plot against him. When Jehangir falls ill, she takes over the reins, has Khurram declared an intruder and sends her armies to bring him in or alternatively his two sons. Watch as events unfold, which will ultimately lead to the building of one of the seven wonders of the world - The Taj Mahal.
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Former Member
ROMANTIC BOLLYWOOD MOVIES:
#12 TAJ MAHAL 1963
HIT SONGS:
1) JO WAADA KIYA WO NIBHANA PADEGA:
2) PAON CHOO LENE DO:
THE VIDEO: JO WAADA KIYA WO NIBHANA PADEGA:
THE VIDEO: PAON CHUU LENE DO:
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#12 TAJ MAHAL 1963
HIT SONGS:
1) JO WAADA KIYA WO NIBHANA PADEGA:
2) PAON CHOO LENE DO:
THE VIDEO: JO WAADA KIYA WO NIBHANA PADEGA:
THE VIDEO: PAON CHUU LENE DO:
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Former Member
ROMANTIC BOLLYWOOD MOVIES:
#13 MAINE PYAR KIYA: 1989
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#13 MAINE PYAR KIYA: 1989
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Former Member
ROMANTIC BOLLYWOOD MOVIES:
#13 MAINE PYAR KIYA: 1989
THE STORY:
Although they have been friends for years, Karan and Kishan have grown apart and have little in common. The widower Karan is a poor engineer who lives in a humble house in the country. Kishan is a rich man with a vast business empire with little time for old friends. However, when Karan prepares to work abroad, he turns to Kishan to solve a problem. Will Kishan let Karan's daughter Suman (Bhagyashree) stay at his house? Kishan cannot turn down his old friend's request and Suman comes to live with Kishan's family.
At first country girl Suman is ill at ease in the huge mansion. She is befriended by Kishan's son Prem (Salman Khan), who assures her that he has no romantic interest in her and that a boy and a girl can be platonic friends. The pair share outings and confidences and all seems to be going well.
Then Prem takes Suman to a party put on by some of his rich friends. They humiliate Suman and accuse her of scheming to marry Prem. Suman leaves in tears and distances herself from Prem. At that point, Prem suddenly realizes that he has fallen in love with her. With aid of his mother (who likes the unassuming Suman) and his comic friend Manohar, Prem sets out to win Suman's heart.
He succeeds, but their romance is balked by Prem's father Kishan, who does not want his son to marry a poor nobody. He prepares to send Suman home in disgrace. At this unpropitious moment, Karan returns from overseas. Kishan accuses him of plotting to match Prem and Suman. Karan and Kishan quarrel; Karan and Suman then return to their village.
Prem refuses to accept the separation. He defies his father and is disinherited. He goes to Suman's village and begs to be allowed to marry her. Karan, angered by Kishan's accusations, says that he will allow the marriage on one condition: Prem must prove that he can support a wife by his own efforts.
Karan, meanwhile, takes back Suman home and the daughter sulks till Prem acts as a rescuer. But since Prem is now disinherited, Karan puts forward the condition that Prem should earn two thousand rupees within a month to prove that he can take care of Suman. Prem then works as a truck driver and laborer. At the end of the month, while Prem is ready with the required money and comes to win the heart of his lady's father, This melts Karan's heart, and he agrees to letting Suman marry Karan. By the end of the movie, the estrangement between Karan and Kishan ends too.
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#13 MAINE PYAR KIYA: 1989
THE STORY:
Although they have been friends for years, Karan and Kishan have grown apart and have little in common. The widower Karan is a poor engineer who lives in a humble house in the country. Kishan is a rich man with a vast business empire with little time for old friends. However, when Karan prepares to work abroad, he turns to Kishan to solve a problem. Will Kishan let Karan's daughter Suman (Bhagyashree) stay at his house? Kishan cannot turn down his old friend's request and Suman comes to live with Kishan's family.
At first country girl Suman is ill at ease in the huge mansion. She is befriended by Kishan's son Prem (Salman Khan), who assures her that he has no romantic interest in her and that a boy and a girl can be platonic friends. The pair share outings and confidences and all seems to be going well.
Then Prem takes Suman to a party put on by some of his rich friends. They humiliate Suman and accuse her of scheming to marry Prem. Suman leaves in tears and distances herself from Prem. At that point, Prem suddenly realizes that he has fallen in love with her. With aid of his mother (who likes the unassuming Suman) and his comic friend Manohar, Prem sets out to win Suman's heart.
He succeeds, but their romance is balked by Prem's father Kishan, who does not want his son to marry a poor nobody. He prepares to send Suman home in disgrace. At this unpropitious moment, Karan returns from overseas. Kishan accuses him of plotting to match Prem and Suman. Karan and Kishan quarrel; Karan and Suman then return to their village.
Prem refuses to accept the separation. He defies his father and is disinherited. He goes to Suman's village and begs to be allowed to marry her. Karan, angered by Kishan's accusations, says that he will allow the marriage on one condition: Prem must prove that he can support a wife by his own efforts.
Karan, meanwhile, takes back Suman home and the daughter sulks till Prem acts as a rescuer. But since Prem is now disinherited, Karan puts forward the condition that Prem should earn two thousand rupees within a month to prove that he can take care of Suman. Prem then works as a truck driver and laborer. At the end of the month, while Prem is ready with the required money and comes to win the heart of his lady's father, This melts Karan's heart, and he agrees to letting Suman marry Karan. By the end of the movie, the estrangement between Karan and Kishan ends too.
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Former Member
ROMANTIC BOLLYWOOD MOVIES:
#13 MAINE PYAR KIYA: 1989
HIT SONGS:
1) DIL DIWANA DIL SAJANA KE:
2) AAYA MOUSAM DOSTI KA:
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#13 MAINE PYAR KIYA: 1989
HIT SONGS:
1) DIL DIWANA DIL SAJANA KE:
2) AAYA MOUSAM DOSTI KA:
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Former Member
ROMANTIC BOLLYWOOD MOVIES:
#13 MAINE PYAR KIYA: 1989
HIT SONGS:
1) DIL DIWANA DIL SAJANA KE:
2) AAYA MOUSAM DOSTI KA:
THE VIDEO: DIL DEEWANA DIL SAJANA KE:
THE VIDEO: AAYA MOUSAM DOSTI KA:
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#13 MAINE PYAR KIYA: 1989
HIT SONGS:
1) DIL DIWANA DIL SAJANA KE:
2) AAYA MOUSAM DOSTI KA:
THE VIDEO: DIL DEEWANA DIL SAJANA KE:
THE VIDEO: AAYA MOUSAM DOSTI KA:
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Former Member
quote:Originally posted by asj:
ROMANTIC BOLLYWOOD MOVIES:
HIT SONGS:
1) ROOP TERA MASTANA
2) MERE SAPNO KI RANI
THE VIDEO: ROOP TERA MASTANA:
THE VIDEO: MERE SAPNO KI RANI KAB
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Asj...wow another lovely one..beautiful songs in this one..love all of them..it was so sad that he died n what she went through after that...i can listen to that song 'kora kagaz' for ever..the music is superb 
Former Member
quote:Originally posted by asj:
ROMANTIC BOLLYWOOD MOVIES:
#10: BOBBY 1973:
HIT SONGS:
1) MAIN SHAYR TU NAHIN:
2) ANHIYON KO REHNE DE:
THE VIDEO: MAIN SHAYR TU NAHIN:
THE VIDEO: AKHIYON KO REHNE DE:
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i would think that Rishi broke a few hearts with the 1st song..man oh man was he ever young n Dimple was something else..the outfits she wore for that time was a bit 'racy'
love the song/dance 'jutibole' (sp).
Former Member
quote:Originally posted by asj:
ROMANTIC BOLLYWOOD MOVIES:
#11 DEVDAS 2002
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what a lovely pic..(i'm stealing it for my screensaver
)..i love the 1st part until Ash got married n then i felt so bad for SRK..cried like crazy at the end...he looked so real 'dead' i don't think i want to see it again..Madhuri was great n i truly believe she was the female one who carried this movie..not to knock Ash mind you. 
Former Member
ROMANTIC BOLLYWOOD MOVIES:
#14 LOVE STORY: 1981
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#14 LOVE STORY: 1981
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Former Member
ROMANTIC BOLLYWOOD MOVIES:
#14 LOVE STORY: 1981
THE STORY:
Love Story is a romance, drama, action, comedy movie (yes this movie has it all). This movie became a blockbuster at the Indian box office.
Vijay (Rajendra kumar) and Suman (Vidya Sinha) are lovers.
One night they go to a Club called GayLord (with only straight couples apparently), while there Suman comes across an old friend Ram (Danny Denzongpa) who happens to be Vijay's enemy, as the two had clashed over Ram's refusal to accept Vijay's bribery. Ram asks Suman for a dance, Suman agrees contrary to Vijay's advice that she should ignore Ram. A jealous and angry Vijay then breaks up with Suman due to her failure to obey him, before she leaves him, a weepy Suman curses him out telling him that this love story will come back to haunt him.
Vijay remarries and his wife gives birth to a son, but she dies upon deliverance, meanwhile Suman and Ram also marry and they give birth to a daughter. When Vijay's son Bunty (Kumar Gaurav) grows up, he decides to be a pilot but his father wants him to be an engineer, due to their conflicting opinions he runs away from home.
Ram and Suman's daughter Pinky(Vijeta Pandit) also comes of age as well and her father decides to marry her off , Suman isn't happy with her father's decision and she runs away from home.
Bunty and Pinky meet each other while on the run from home, however they're both unaware of their parents history.
Their parents became very worried and they order a warrant for their arrest should they be found.
What hardships will Bunty and Pinky face? Will their parents allow them to get married? How long will they be able to escape the police? How will the Love unfold between Pinky & Bunty? For these and many more answers watch Love Story.
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#14 LOVE STORY: 1981
THE STORY:
Love Story is a romance, drama, action, comedy movie (yes this movie has it all). This movie became a blockbuster at the Indian box office.
Vijay (Rajendra kumar) and Suman (Vidya Sinha) are lovers.
One night they go to a Club called GayLord (with only straight couples apparently), while there Suman comes across an old friend Ram (Danny Denzongpa) who happens to be Vijay's enemy, as the two had clashed over Ram's refusal to accept Vijay's bribery. Ram asks Suman for a dance, Suman agrees contrary to Vijay's advice that she should ignore Ram. A jealous and angry Vijay then breaks up with Suman due to her failure to obey him, before she leaves him, a weepy Suman curses him out telling him that this love story will come back to haunt him.
Vijay remarries and his wife gives birth to a son, but she dies upon deliverance, meanwhile Suman and Ram also marry and they give birth to a daughter. When Vijay's son Bunty (Kumar Gaurav) grows up, he decides to be a pilot but his father wants him to be an engineer, due to their conflicting opinions he runs away from home.
Ram and Suman's daughter Pinky(Vijeta Pandit) also comes of age as well and her father decides to marry her off , Suman isn't happy with her father's decision and she runs away from home.
Bunty and Pinky meet each other while on the run from home, however they're both unaware of their parents history.
Their parents became very worried and they order a warrant for their arrest should they be found.
What hardships will Bunty and Pinky face? Will their parents allow them to get married? How long will they be able to escape the police? How will the Love unfold between Pinky & Bunty? For these and many more answers watch Love Story.
..
Former Member
quote:Originally posted by asj:
ROMANTIC BOLLYWOOD MOVIES:
#14 LOVE STORY: 1981
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yesssssssss...love this one also..all our friends had a big crush on him (myself included)
he was so cute n the songs were amazing..i guess we did not mind that they had 'run away'
Former Member
ROMANTIC BOLLYWOOD MOVIES:
#14 LOVE STORY: 1981
HIT SONGS:
1) TERI YAAD AA RAHI HAI
2) DEKHO MAINE DEKHA HAI EK SAPNA:
THE VIDEO: TERE YAAD AA RAHE HAI:
THE VIDEO: DEKHO MAINE DEKHA HAI EK SAPNA
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#14 LOVE STORY: 1981
HIT SONGS:
1) TERI YAAD AA RAHI HAI
2) DEKHO MAINE DEKHA HAI EK SAPNA:
THE VIDEO: TERE YAAD AA RAHE HAI:
THE VIDEO: DEKHO MAINE DEKHA HAI EK SAPNA
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Former Member
ROMANTIC BOLLYWOOD MOVIES:
#15 DIL TU PAGAL HAI: 1997
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#15 DIL TU PAGAL HAI: 1997
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Former Member
ROMANTIC BOLLYWOOD MOVIES:
#15: DIL TU PAGAL HAI: 1997
THE STORY:
Rahul (Shahrukh Khan) is a dancer and the director of a successful music and dance troupe. He believes that Nisha (Karisma Kapoor), one of his dancers, is his best friend. Nisha acts like his pal, but is secretly in love with him.
Nisha injures her foot and Rahul needs a new dancer. He hires Pooja (Madhuri Dixit). She and Rahul are increasingly attracted to each other, but they act as if it were not happening. Pooja, unknown to Rahul, is already engaged to Ajay (Akshay Kumar), the son of family friends who raised her when her parents died. A romance with another man would be scandalous, and be a disappointment to her auntie and uncle, who want to see her marry their son. She tries to keep her distance from Rahul and he, puzzled by her mixed signals, does not push matters.
Nisha, however, her senses sharpened by jealousy, sees it all. Rather than try to stop the affair, however, she decides to leave India for a time and let matters take their course. She truly loves Rahul, and wishes only the best for him.
As preparations for the new show continue, Pooja finally tells Rahul that she is engaged to Ajay, and Rahul is deeply hurt. He revises the show to reflect his new unhappiness.
Nisha returns from London to view the new production and complains that it has an unhappy ending. Rahul refuses to change it; the story reflects his relationship to Pooja the way he sees it.
In the end, Rahul decides to make one last effort to revive his romance with Pooja. Pooja is torn between love and duty until Ajay, who has realized what is going on, releases Pooja from her engagement, and Pooja and Rahul reconcile. As well Ajay and Nisha introduce themselves to each other and Ajay asks whether Nisha is married or not.
.
#15: DIL TU PAGAL HAI: 1997
THE STORY:
Rahul (Shahrukh Khan) is a dancer and the director of a successful music and dance troupe. He believes that Nisha (Karisma Kapoor), one of his dancers, is his best friend. Nisha acts like his pal, but is secretly in love with him.
Nisha injures her foot and Rahul needs a new dancer. He hires Pooja (Madhuri Dixit). She and Rahul are increasingly attracted to each other, but they act as if it were not happening. Pooja, unknown to Rahul, is already engaged to Ajay (Akshay Kumar), the son of family friends who raised her when her parents died. A romance with another man would be scandalous, and be a disappointment to her auntie and uncle, who want to see her marry their son. She tries to keep her distance from Rahul and he, puzzled by her mixed signals, does not push matters.
Nisha, however, her senses sharpened by jealousy, sees it all. Rather than try to stop the affair, however, she decides to leave India for a time and let matters take their course. She truly loves Rahul, and wishes only the best for him.
As preparations for the new show continue, Pooja finally tells Rahul that she is engaged to Ajay, and Rahul is deeply hurt. He revises the show to reflect his new unhappiness.
Nisha returns from London to view the new production and complains that it has an unhappy ending. Rahul refuses to change it; the story reflects his relationship to Pooja the way he sees it.
In the end, Rahul decides to make one last effort to revive his romance with Pooja. Pooja is torn between love and duty until Ajay, who has realized what is going on, releases Pooja from her engagement, and Pooja and Rahul reconcile. As well Ajay and Nisha introduce themselves to each other and Ajay asks whether Nisha is married or not.
.
Former Member
ROMANTIC BOLLYWOOD MOVIES:
#15: DIL TU PAGAL HAI: 1997
HIT SONGS:
1) BHOLI SE SURAT AAKHON MAY MASTI:
2) KAB TAK CHUP BAITHI:
THE VIDEO: BHOLI SE SURAT AAKHON MAY MASTI:
THE VIDEO: KAB TAK CHUP BAITHI:
.
#15: DIL TU PAGAL HAI: 1997
HIT SONGS:
1) BHOLI SE SURAT AAKHON MAY MASTI:
2) KAB TAK CHUP BAITHI:
THE VIDEO: BHOLI SE SURAT AAKHON MAY MASTI:
THE VIDEO: KAB TAK CHUP BAITHI:
.
Former Member
ROMANTIC BOLLYWOOD MOVIES:
#16: SANGAM: 1964:
.
#16: SANGAM: 1964:
.
Former Member
ROMANTIC BOLLYWOOD MOVIES:
#16: SANGAM: 1964:
THE STORY:
Sundar (Raj Kapoor), Gopal (Rajendra Kumar) and Radha (Vyjayantimala) have been friends since childhood. As they grow into adults, Sundar develops an obsessive romantic attraction to Radha, but she prefers Gopal, who is also in love with her. Yet, as Sundar has confided his feelings for Radha to him, Gopal decides to sacrifice his love for his friendâs sake. Radha systematically resists Sundarâs overtures, but to no avail. For him, she is the only woman in the world. Matching Sundarâs great love for Radha is his unswerving devotion to his friendship with Gopal.
Eventually, Sundar enlists in the Indian Air Force and is assigned to a military mission in Kashmir. Before leaving, he extracts a promise from Gopal, whom he trusts implicitly, never to let any man come between Radha and himself while he is away. Subsequently, Sundarâs airplane is shot down over Kashmir. He is listed as MIA and presumed dead. This news saddens Radha and Gopal, but they are nonetheless now finally free to profess their love for one another. Among other expressions of love, Gopal writes her an unsigned prem patra (love letter) which touches her particularly and which she hides away. Just when they begin taking steps to be married, Sundar suddenly returns, safe and sound. The self-effacing Gopal sacrifices himself once more, stepping back into the shadows, watching as the reborn Sundar resumes his wooing of Radha. Inevitably, the two marry.
After the couple returns from an extended European honeymoon, Sundar is deliriously happy. His lifeâs dream has been realised. Radha is resolved to be faithful to her husband and to put Gopal out of her mind. She privately asks him to stay away from her and Sundar because of the torture his presence causes her. Sundarâs devotion to Gopal, however, is such that he constantly tries to draw him into their life and activities, much to Radhaâs chagrin. The perfection of their marital bliss is however shattered when Sundar accidentally discovers the unsigned love letter Gopal had written to Radha. Sundar is thunderstruck, and assumes that Radha has been unfaithful to him. Producing a pistol, he demands she divulge the name of the supposed lover and threatens to kill the man, but she refuses.
In the days that follow, Sundar becomes obsessed with discovering the identity of the anonymous letter-writer and cannot return to normalcy. Radhaâs life becomes pure misery, lived out against the incessant drama of Sundarâs jealousy, threats, anger and fixation with the letter. Eventually unable to bear the wretchedness of her existence with Sundar any further, Radha leaves their house and flees to Gopal for help. Sundar takes the same route, unaware that Radha has gone to Gopalâs house. There, matters come to a head. The overwrought Gopal admits his authorship of the infamous letter to Radha, an admission which almost destroys his friend. Gopal, perceiving no exit from the impasse at which the three have arrived, kills himself with Sundarâs pistol. Radha and Sundar are finally reunited - in mourning.
.
#16: SANGAM: 1964:
THE STORY:
Sundar (Raj Kapoor), Gopal (Rajendra Kumar) and Radha (Vyjayantimala) have been friends since childhood. As they grow into adults, Sundar develops an obsessive romantic attraction to Radha, but she prefers Gopal, who is also in love with her. Yet, as Sundar has confided his feelings for Radha to him, Gopal decides to sacrifice his love for his friendâs sake. Radha systematically resists Sundarâs overtures, but to no avail. For him, she is the only woman in the world. Matching Sundarâs great love for Radha is his unswerving devotion to his friendship with Gopal.
Eventually, Sundar enlists in the Indian Air Force and is assigned to a military mission in Kashmir. Before leaving, he extracts a promise from Gopal, whom he trusts implicitly, never to let any man come between Radha and himself while he is away. Subsequently, Sundarâs airplane is shot down over Kashmir. He is listed as MIA and presumed dead. This news saddens Radha and Gopal, but they are nonetheless now finally free to profess their love for one another. Among other expressions of love, Gopal writes her an unsigned prem patra (love letter) which touches her particularly and which she hides away. Just when they begin taking steps to be married, Sundar suddenly returns, safe and sound. The self-effacing Gopal sacrifices himself once more, stepping back into the shadows, watching as the reborn Sundar resumes his wooing of Radha. Inevitably, the two marry.
After the couple returns from an extended European honeymoon, Sundar is deliriously happy. His lifeâs dream has been realised. Radha is resolved to be faithful to her husband and to put Gopal out of her mind. She privately asks him to stay away from her and Sundar because of the torture his presence causes her. Sundarâs devotion to Gopal, however, is such that he constantly tries to draw him into their life and activities, much to Radhaâs chagrin. The perfection of their marital bliss is however shattered when Sundar accidentally discovers the unsigned love letter Gopal had written to Radha. Sundar is thunderstruck, and assumes that Radha has been unfaithful to him. Producing a pistol, he demands she divulge the name of the supposed lover and threatens to kill the man, but she refuses.
In the days that follow, Sundar becomes obsessed with discovering the identity of the anonymous letter-writer and cannot return to normalcy. Radhaâs life becomes pure misery, lived out against the incessant drama of Sundarâs jealousy, threats, anger and fixation with the letter. Eventually unable to bear the wretchedness of her existence with Sundar any further, Radha leaves their house and flees to Gopal for help. Sundar takes the same route, unaware that Radha has gone to Gopalâs house. There, matters come to a head. The overwrought Gopal admits his authorship of the infamous letter to Radha, an admission which almost destroys his friend. Gopal, perceiving no exit from the impasse at which the three have arrived, kills himself with Sundarâs pistol. Radha and Sundar are finally reunited - in mourning.
.
Former Member
ROMANTIC BOLLYWOOD MOVIES:
#16: SANGAM: 1964:
HIT SONGS:
1) DOST DOST NA RAHA:
2) HAR DIL JO PYAR KAREGA:
THE VIDEO: DOST DOST NA RAHA:
THE VIDEO: HAR DIL KO PYAR KAREGA:
.
#16: SANGAM: 1964:
HIT SONGS:
1) DOST DOST NA RAHA:
2) HAR DIL JO PYAR KAREGA:
THE VIDEO: DOST DOST NA RAHA:
THE VIDEO: HAR DIL KO PYAR KAREGA:
.
Former Member
ROMANTIC BOLLYWOOD MOVIES
#17 KUCH KUCH HOTA HAI: 1998
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#17 KUCH KUCH HOTA HAI: 1998
.
Former Member
ROMANTIC BOLLYWOOD MOVIES:
#17 KUCH KUCH HOTA HAI: 1998
THE STORY:
Rahul (Shahrukh Khan) and the tomboy Anjali (Kajol) are students at St. Xavier's College. They are the best of friends. One day Tina (Rani Mukerji), the principal's daughter, enrolls at St. Xavier's. She had come from London and she was beautiful, feminine, and sophisticated; she was the antithesis of Anjali. Rahul falls hard for Tina as soon as he meets her, which was just the time that Anjali realized that she has some feelings for Rahul, probably prompted by a careless comment on his part that she had heard, which equated love with friendship. This creates a romance triangle. One day, Rahul confesses his love for Tina to Anjali. Anjali leaves college suddenly, and she never calls or writes.
Tina and Rahul marry and have a daughter, whom Tina names Anjali. Tina dies shortly after childbirth but had previously written a series of eight letters. Every year, on Anjali's birthday, she is given a letter and hears her mother's loving wishes for her. In the eighth and last letter, the little girl is told about her namesake. Where Rahul had been blind, Tina had noticed the older Anjali's emotions and pitied her deeply. Because Rahul hasn't remarried, perhaps his first love could be the mother that the young Anjali needs and wants.
Young Anjali believes that the older Anjali can make her beloved father happy again, and decides to help her father reclaim his lost paramour. She soon recruits her doting grandmother (Rahul's mother, played by Farida Jalal) and grandfather (Tina's father, played by Anupam Kher) as accomplices.
The unlikely conspirators locate Rahul's old friend and contrive to make Rahul and Anjali meet again. They meet in a camp where young Anjali had enrolled because her namesake is a counselor there. The namesake discovers, without the younger girl's knowledge, the truth of her new charge's parentage. Rahul soon finds old feelings reviving. However, Anjali has bowed to her family's wishes and is engaged to another man, Aman (played by Salman Khan). She will not break the engagement because Rahul refuses to confess his love to her. Complications ensue, but all ends well as Aman steps aside to let the fated couple marry at last.
.
#17 KUCH KUCH HOTA HAI: 1998
THE STORY:
Rahul (Shahrukh Khan) and the tomboy Anjali (Kajol) are students at St. Xavier's College. They are the best of friends. One day Tina (Rani Mukerji), the principal's daughter, enrolls at St. Xavier's. She had come from London and she was beautiful, feminine, and sophisticated; she was the antithesis of Anjali. Rahul falls hard for Tina as soon as he meets her, which was just the time that Anjali realized that she has some feelings for Rahul, probably prompted by a careless comment on his part that she had heard, which equated love with friendship. This creates a romance triangle. One day, Rahul confesses his love for Tina to Anjali. Anjali leaves college suddenly, and she never calls or writes.
Tina and Rahul marry and have a daughter, whom Tina names Anjali. Tina dies shortly after childbirth but had previously written a series of eight letters. Every year, on Anjali's birthday, she is given a letter and hears her mother's loving wishes for her. In the eighth and last letter, the little girl is told about her namesake. Where Rahul had been blind, Tina had noticed the older Anjali's emotions and pitied her deeply. Because Rahul hasn't remarried, perhaps his first love could be the mother that the young Anjali needs and wants.
Young Anjali believes that the older Anjali can make her beloved father happy again, and decides to help her father reclaim his lost paramour. She soon recruits her doting grandmother (Rahul's mother, played by Farida Jalal) and grandfather (Tina's father, played by Anupam Kher) as accomplices.
The unlikely conspirators locate Rahul's old friend and contrive to make Rahul and Anjali meet again. They meet in a camp where young Anjali had enrolled because her namesake is a counselor there. The namesake discovers, without the younger girl's knowledge, the truth of her new charge's parentage. Rahul soon finds old feelings reviving. However, Anjali has bowed to her family's wishes and is engaged to another man, Aman (played by Salman Khan). She will not break the engagement because Rahul refuses to confess his love to her. Complications ensue, but all ends well as Aman steps aside to let the fated couple marry at last.
.
Former Member
ROMANTIC BOLLYWOOD MOVIES:
#17 KUCH KUCH HOTA HAI: 1998
HIT SONGS:
1) KUCH KUCH HOTA HAI:
2) RAGHUPATI RAGAV RAJARAM:
THE VIDEO: KUCH KUCH HOTA HAI:
THE VIDEO: RAGHUPATI RAGHAV RAJARAM:
.
#17 KUCH KUCH HOTA HAI: 1998
HIT SONGS:
1) KUCH KUCH HOTA HAI:
2) RAGHUPATI RAGAV RAJARAM:
THE VIDEO: KUCH KUCH HOTA HAI:
THE VIDEO: RAGHUPATI RAGHAV RAJARAM:
.
Former Member
ROMANTIC BOLLYWOOD MOVIES:
SO FAR WE HAVE SHOWCASED:
#1: DILWALE DULHANIYA LE JAYENGE: 1995:
#2: AWARA 1951
#3: QAYAMAT SE QAYAMAT TAK: 1988
#4: GUIDE 1965
#5: PAKEEZAH 1972
#6: MUGHAL E AZAM: 1960
#7: BARSAAT KI RAAT: 1960
#8: SILSILA 1981
#9: ARADHANA 1969
#10: BOBBY 1973:
#11 DEVDAS 2002
#12 TAJ MAHAL 1963
#13 MAINE PYAR KIYA: 1989
#14 LOVE STORY: 1981
#15 DIL TU PAGAL HAI: 1997
#16: SANGAM: 1964:
#17 KUCH KUCH HOTA HAI: 1998
.
SO FAR WE HAVE SHOWCASED:
#1: DILWALE DULHANIYA LE JAYENGE: 1995:
#2: AWARA 1951
#3: QAYAMAT SE QAYAMAT TAK: 1988
#4: GUIDE 1965
#5: PAKEEZAH 1972
#6: MUGHAL E AZAM: 1960
#7: BARSAAT KI RAAT: 1960
#8: SILSILA 1981
#9: ARADHANA 1969
#10: BOBBY 1973:
#11 DEVDAS 2002
#12 TAJ MAHAL 1963
#13 MAINE PYAR KIYA: 1989
#14 LOVE STORY: 1981
#15 DIL TU PAGAL HAI: 1997
#16: SANGAM: 1964:
#17 KUCH KUCH HOTA HAI: 1998
.
Former Member
quote:Originally posted by asj:
ROMANTIC BOLLYWOOD MOVIES:
#15 DIL TU PAGAL HAI: 1997
.
Asj. 
wowwwwwwwwwwwww..don't they look just amazing
love this one too..the ending is so heartrenching...i was on the edge of my seat waiting to hear what she would say n the songs are marvellous..love 'dholna'
Former Member
quote:Asj.
wowwwwwwwwwwwww..don't they look just amazing love this one too..the ending is so heartrenching...i was on the edge of my seat waiting to hear what she would say n the songs are marvellous..love 'dholna'
Hi Anjie, a good morning to you too, you are right, when we saw this movie, we had to make sure that the hankies were around.
Enjoy:
.
Former Member
quote:Originally posted by asj:
ROMANTIC BOLLYWOOD MOVIES:
#17 KUCH KUCH HOTA HAI: 1998
HIT SONGS:
1) KUCH KUCH HOTA HAI:
2) RAGHUPATI RAGAV RAJARAM:
THE VIDEO: KUCH KUCH HOTA HAI:
THE VIDEO: RAGHUPATI RAGHAV RAJARAM:
.
another of my favessssssssss....my my my how i love this movie...i just think it's perfect..the songs, storyline, music and little Anjalie..she's so cute (big Anjalie too)
i enjoyed Salman in this movie too..love it dearly this is why i took the name Anjalie..as close as i could come to SRK
Former Member
ROMANTIC BOLLYWOOD MOVIES:
#18: AMAR PREM 1971:
.
#18: AMAR PREM 1971:
.
Former Member
ROMANTIC BOLLYWOOD MOVIES:
# 18: AMAR PREM 1971:
THE STORY:
Shakti Samanta's intelligent melodrama about the themes of maternal love, prostitution and the relation between humanity and divinity is set in the slums of Calcutta, he treats matrimony and maternal love as a great tribute to womanhood and as such a truly sincere artistic passion evolves without any artifice, he adds a wistful beauty to the bare sequences without stripping the enchanting leading lady, Sharmila Tagore as the barren, divorcee, forced into the world of demi monde for existence.
She is an exploited victim but at the same time the strongest feminine character i have seen in cinema as she brings a reality to her role from her youthful beauty to an old wrinkled woman, while RAJESH KHANNA is at his best as the filthy rich ,discontent ,alcoholic neglected entrepreneur by his wife who seeks solace in her arms, their informal and traditional relationship is bound beautifully by a child who lives in the notorious neighbourhood who shares the human bondage of universal love that has no language but only expression, that is established here is as sacred holy triad and the trio help to make one of the most memorable movies in cinema.
The soulful dialogues might be hampered by the subtitles but the expressionist technique employed will help the viewer who is unable to comprehend the wistful whimsical beauty of the language itself.
R.D burman, Kishore and Anand Bakshi give their most soulful score ever,and the streets of kolkatta are captured in stark reality by the camera which is observing the lives of ordinary people from every walk of life in casually skilled perfection.
The finale is emotionally stunning and brings a lump to my throat everytime, and I have seen it quite a few times, art meets the parameters of commercial cinema in all its glory and redeems the indian woman as the weakling feminist she is usually portrayed as without sensationalism or cheap hysterical melodrama.
USMAN LATIF KWAJA:
.
# 18: AMAR PREM 1971:
THE STORY:
Shakti Samanta's intelligent melodrama about the themes of maternal love, prostitution and the relation between humanity and divinity is set in the slums of Calcutta, he treats matrimony and maternal love as a great tribute to womanhood and as such a truly sincere artistic passion evolves without any artifice, he adds a wistful beauty to the bare sequences without stripping the enchanting leading lady, Sharmila Tagore as the barren, divorcee, forced into the world of demi monde for existence.
She is an exploited victim but at the same time the strongest feminine character i have seen in cinema as she brings a reality to her role from her youthful beauty to an old wrinkled woman, while RAJESH KHANNA is at his best as the filthy rich ,discontent ,alcoholic neglected entrepreneur by his wife who seeks solace in her arms, their informal and traditional relationship is bound beautifully by a child who lives in the notorious neighbourhood who shares the human bondage of universal love that has no language but only expression, that is established here is as sacred holy triad and the trio help to make one of the most memorable movies in cinema.
The soulful dialogues might be hampered by the subtitles but the expressionist technique employed will help the viewer who is unable to comprehend the wistful whimsical beauty of the language itself.
R.D burman, Kishore and Anand Bakshi give their most soulful score ever,and the streets of kolkatta are captured in stark reality by the camera which is observing the lives of ordinary people from every walk of life in casually skilled perfection.
The finale is emotionally stunning and brings a lump to my throat everytime, and I have seen it quite a few times, art meets the parameters of commercial cinema in all its glory and redeems the indian woman as the weakling feminist she is usually portrayed as without sensationalism or cheap hysterical melodrama.
USMAN LATIF KWAJA:
.
Former Member
ROMANTIC BOLLYWOOD MOVIES:
# 18: AMAR PREM 1971:
THE SONGS:
1) YE KYA HUA, KAISE HUA, KAB HUA:
2) CHINGARI KOI BHADKE:
THE VIDEO: YE KYA HUA KAISE KUA KAB HUA:
THE VIDEO: CHINGARI KOE BHADKE:
.
# 18: AMAR PREM 1971:
THE SONGS:
1) YE KYA HUA, KAISE HUA, KAB HUA:
2) CHINGARI KOI BHADKE:
THE VIDEO: YE KYA HUA KAISE KUA KAB HUA:
THE VIDEO: CHINGARI KOE BHADKE:
.
Former Member
ROMANTIC BOLLYWOOD MOVIES:
#19 KABHI KABHI: 1976
.
#19 KABHI KABHI: 1976
.
Former Member
ROMANTIC BOLLYWOOD MOVIES:
#19 KABHI KABHI: 1976
THE STORY:
Amit Malhotra (Amitabh Bachchan), recites one of his poems at a college / university where he meets fellow student Pooja (Raakhee Gulzar) and they fall in love. But Pooja decides to marry an architect, Vijay Khanna (Shashi Kapoor), in line with her parents' wishes. A heartbroken Amit returns home and joins his father's business - a construction company - and later marries Anjali (Waheeda Rehman), who secretly has a daughter named Pinky (Neetu Singh) from an earlier pre-marital relationship. Amit and Anjali have a daughter, Sweetie, of their own. In the meantime, Pinky is adopted by childless couple Dr. and Mrs. R.P. Kapoor.
Spanning over to the next generation, Pooja and Vijay have a son, Vikram (Rishi Kapoor), also known as "Vicky", who falls in love with Pinky while they are in college and the two plan to get married. When Pinky learns that she is actually adopted and the identity of her real mother, she tries to get close to Anjali. While Anjali eventually acknowledges her existence and secretly showers her love on her reunited daughter, she does not reveal the relationship to her husband, fearing for her marriage. The situation is further complicated by Vicky's attempts to stay close to Pinky and Sweetie's romantic interest in Vicky.
This sets in motion a chain of events that unites old flames as friends.
.
#19 KABHI KABHI: 1976
THE STORY:
Amit Malhotra (Amitabh Bachchan), recites one of his poems at a college / university where he meets fellow student Pooja (Raakhee Gulzar) and they fall in love. But Pooja decides to marry an architect, Vijay Khanna (Shashi Kapoor), in line with her parents' wishes. A heartbroken Amit returns home and joins his father's business - a construction company - and later marries Anjali (Waheeda Rehman), who secretly has a daughter named Pinky (Neetu Singh) from an earlier pre-marital relationship. Amit and Anjali have a daughter, Sweetie, of their own. In the meantime, Pinky is adopted by childless couple Dr. and Mrs. R.P. Kapoor.
Spanning over to the next generation, Pooja and Vijay have a son, Vikram (Rishi Kapoor), also known as "Vicky", who falls in love with Pinky while they are in college and the two plan to get married. When Pinky learns that she is actually adopted and the identity of her real mother, she tries to get close to Anjali. While Anjali eventually acknowledges her existence and secretly showers her love on her reunited daughter, she does not reveal the relationship to her husband, fearing for her marriage. The situation is further complicated by Vicky's attempts to stay close to Pinky and Sweetie's romantic interest in Vicky.
This sets in motion a chain of events that unites old flames as friends.
.
Former Member
ROMANTIC BOLLYWOOD MOVIES:
#19 KABHI KABHI: 1976
HIT SONGS:
1) KABHI KABHI MERE DIL MEIN:
2) MAIN PAL DO PAL KA SHAYR HOON:
THE VIDEO: KABHI KABHI MERE DIL MEIN:
THE VIDEO: MAIN PAL DO PAL KA SHAYR HOON
.
#19 KABHI KABHI: 1976
HIT SONGS:
1) KABHI KABHI MERE DIL MEIN:
2) MAIN PAL DO PAL KA SHAYR HOON:
THE VIDEO: KABHI KABHI MERE DIL MEIN:
THE VIDEO: MAIN PAL DO PAL KA SHAYR HOON
.
Former Member
ROMANTIC BOLLYWOOD MOVIES:
#20 RAJA HINDUSTANI: 1996
.
#20 RAJA HINDUSTANI: 1996
.
Former Member
ROMANTIC BOLLYWOOD MOVIES:
#20 RAJA HINDUSTANI: 1996
THE STORY:
Raja Hindustani is a story about two people from opposite socio-economic backgrounds who fall in love. The title character, Raja Hindustani (Aamir Khan), is a taxi-driver / tourist guide. He lives by his own simple code and is prone to violence when that code is violated. Aarti Sehgal is a wealthy debutante who is seeking to connect with her past. Standing in the way of their love are a disapproving father and a stepmother bent on obtaining total control of the family assets.
Wealthy Mr Sehgal (Suresh Oberoi) lives with his daughter, Aarti (Karishma Kapoor), and her stepmother Shalini (Archana Puran Singh) in a palatial home. Aarti decides to go for a vacation to a small hill station named Palankhet to discover the memories of her dead mother. Upon arrival, she finds out she has no transportation from the airport to Palankhet. As a result, she hires the services of the only available driver, Raja Hindustani (Aamir Khan). During her stay in Palankhet, Aarti and Raja fall in love. One day, to Aarti's surprise, her father arrives in Palankhet and intends to bring her home with him. Her father will accept the marriage on the condition that Raja come to Mumbai and learn to become a respectable member of society. Raja refuses and forces Aarti to make a decision. Aarti chooses Raja, but begs for her father's blessings. Her father refuses to offer his blessings and leaves for Mumbai.
After some time, Mr Sehgal forgives his daughter, and visits her in Palankhet. While there, he gifts his daughter and son-in-law with a new house. Raja refuses to live in the house, because he does not see the house as a gift, but rather as alms , since he is poor and Mr. Sehgal is rich. Shalini, her brother, Swaraj (Pramod Moutho), and her nephew Jai (Mohnish Behl) seek to exploit this conflict in order to gain total control of Mr. Sehgal's assets. Under the pretext of a birthday party, they bring Raja and Aarti to Mumbai and set in motion events that will change all their lives forever. As a result Aarti and Raja separate. Aarti was pregnant but due to her health problem the doctor forbid her to go to Palankhet and instead her mother had to go to Palankhet to inform Raja about his baby and to request him to come to Mumbai. However, instead Aarti's mother chooses to tell Raja that Aarti wants divorce but raja refuses to give divorce and back in mumbai even aarti refuses to give raja divorce. After sometime raja comes to know that aarti has a baby so he goes to aarti's house and steals the baby. But aarti cannot live without her baby so she comes to Raja's house begging for her baby where they all learn the truth that aarti's mother is the culprit. When raja returns home with the baby he sees aarti and starts to run away but in the road there is a fighting between aarti's mama and raja for the capture of the baby as aarti 's mama wanted to kill the baby but mama loses at the last, aarti and raja reunite.
.
#20 RAJA HINDUSTANI: 1996
THE STORY:
Raja Hindustani is a story about two people from opposite socio-economic backgrounds who fall in love. The title character, Raja Hindustani (Aamir Khan), is a taxi-driver / tourist guide. He lives by his own simple code and is prone to violence when that code is violated. Aarti Sehgal is a wealthy debutante who is seeking to connect with her past. Standing in the way of their love are a disapproving father and a stepmother bent on obtaining total control of the family assets.
Wealthy Mr Sehgal (Suresh Oberoi) lives with his daughter, Aarti (Karishma Kapoor), and her stepmother Shalini (Archana Puran Singh) in a palatial home. Aarti decides to go for a vacation to a small hill station named Palankhet to discover the memories of her dead mother. Upon arrival, she finds out she has no transportation from the airport to Palankhet. As a result, she hires the services of the only available driver, Raja Hindustani (Aamir Khan). During her stay in Palankhet, Aarti and Raja fall in love. One day, to Aarti's surprise, her father arrives in Palankhet and intends to bring her home with him. Her father will accept the marriage on the condition that Raja come to Mumbai and learn to become a respectable member of society. Raja refuses and forces Aarti to make a decision. Aarti chooses Raja, but begs for her father's blessings. Her father refuses to offer his blessings and leaves for Mumbai.
After some time, Mr Sehgal forgives his daughter, and visits her in Palankhet. While there, he gifts his daughter and son-in-law with a new house. Raja refuses to live in the house, because he does not see the house as a gift, but rather as alms , since he is poor and Mr. Sehgal is rich. Shalini, her brother, Swaraj (Pramod Moutho), and her nephew Jai (Mohnish Behl) seek to exploit this conflict in order to gain total control of Mr. Sehgal's assets. Under the pretext of a birthday party, they bring Raja and Aarti to Mumbai and set in motion events that will change all their lives forever. As a result Aarti and Raja separate. Aarti was pregnant but due to her health problem the doctor forbid her to go to Palankhet and instead her mother had to go to Palankhet to inform Raja about his baby and to request him to come to Mumbai. However, instead Aarti's mother chooses to tell Raja that Aarti wants divorce but raja refuses to give divorce and back in mumbai even aarti refuses to give raja divorce. After sometime raja comes to know that aarti has a baby so he goes to aarti's house and steals the baby. But aarti cannot live without her baby so she comes to Raja's house begging for her baby where they all learn the truth that aarti's mother is the culprit. When raja returns home with the baby he sees aarti and starts to run away but in the road there is a fighting between aarti's mama and raja for the capture of the baby as aarti 's mama wanted to kill the baby but mama loses at the last, aarti and raja reunite.
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ROMANTIC BOLLYWOOD MOVIES:
#20 RAJA HINDUSTANI: 1996
HIT SONGS:
1) AYEE HO MERE ZINDAGI MAY TUM
2) PARDESI PARDESI JAANA NAHIN:
THE VIDEO: AYE HO MERE ZINDAGI MAIN TUM
THE VIDEO: PARDESI PARDESI JANA NAHIN:
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#20 RAJA HINDUSTANI: 1996
HIT SONGS:
1) AYEE HO MERE ZINDAGI MAY TUM
2) PARDESI PARDESI JAANA NAHIN:
THE VIDEO: AYE HO MERE ZINDAGI MAIN TUM
THE VIDEO: PARDESI PARDESI JANA NAHIN:
.
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