VIDEOS FROM SADHAHA MOVIES
Movie : Arzoo 1965
Singer: Lata Mangeshkar
Music : Shankar Jaikishen
Lyrics: Hasrat Jaipuri
THE VIDEO: BEDARDI BALAMI TUJHKO MERA MAN YAAD KARTA HAI
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Former Member
Former Member
SADHANA: THEN AND NOW
Sadhana (born 2 September 1941) is an Indian Bollywood actress. She was one of the top stars in the 1960s and the early 1970s. Beside becoming the fashion icon for young Indian girls with her specific hair style, still known as Sadhana cut, she become famous as Mystery Girl with her three suspense thriller films namely "Woh Kaun Thi" [1964], "Mera Saaya" [1965] and "Anita" [1968]. In the year 1965 she was nominated for prestigious Film Fare Award for film "Waqt"
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Sadhana (born 2 September 1941) is an Indian Bollywood actress. She was one of the top stars in the 1960s and the early 1970s. Beside becoming the fashion icon for young Indian girls with her specific hair style, still known as Sadhana cut, she become famous as Mystery Girl with her three suspense thriller films namely "Woh Kaun Thi" [1964], "Mera Saaya" [1965] and "Anita" [1968]. In the year 1965 she was nominated for prestigious Film Fare Award for film "Waqt"
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Former Member
SADHANA: THEN AND NOW
Shivdasani was born in 1941 and named after her father's favorite actress Sadhana Bose, her father and actor Hari Shivdasani were biological brothers. Her cousin is actress Babita, the daughter of actor Hari Shivdasani and mother to actresses Karisma & Kareena Kapoor. She was one of two sisters, Sarla was the eldest. Her mother home-schooled her until she was 8 years old. The family fled from Karachi in Pakistan during Post Partition riots.
When she was 15 years old, she was discovered by some producers who had seen her act in a college play. They cast her in India's first Sindhi film titled Abana (1958), where she played the heroine's younger sister for which she was paid a token of Rps. 1. A photograph of her publicizing the film appeared in a movie magazine[which?]. Sashadhar Mukherjee, one of India's producers at that time, saw the magazine and gave her the lead role in her first Hindi film Love in Simla (1959), opposite his newcomer son, Joy Mukherjee. The film was directed by another newcomer, R.K. Nayyar, who created her trademark look called 'the Sadhana fringe.'
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Shivdasani was born in 1941 and named after her father's favorite actress Sadhana Bose, her father and actor Hari Shivdasani were biological brothers. Her cousin is actress Babita, the daughter of actor Hari Shivdasani and mother to actresses Karisma & Kareena Kapoor. She was one of two sisters, Sarla was the eldest. Her mother home-schooled her until she was 8 years old. The family fled from Karachi in Pakistan during Post Partition riots.
When she was 15 years old, she was discovered by some producers who had seen her act in a college play. They cast her in India's first Sindhi film titled Abana (1958), where she played the heroine's younger sister for which she was paid a token of Rps. 1. A photograph of her publicizing the film appeared in a movie magazine[which?]. Sashadhar Mukherjee, one of India's producers at that time, saw the magazine and gave her the lead role in her first Hindi film Love in Simla (1959), opposite his newcomer son, Joy Mukherjee. The film was directed by another newcomer, R.K. Nayyar, who created her trademark look called 'the Sadhana fringe.'
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Former Member
SADHANA: THEN AND NOW
Hari helped Sadhana enter films. She was a chorus girl in Raj Kapoor's Shree 420 in 1955. She played a second lead in a Sindhi film called Abana (1958). She entered an acting school run by film producer Sashadhar Mukherjee. R.K. Nayyar chose Shivdasani for Love in Simla (1960)
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Hari helped Sadhana enter films. She was a chorus girl in Raj Kapoor's Shree 420 in 1955. She played a second lead in a Sindhi film called Abana (1958). She entered an acting school run by film producer Sashadhar Mukherjee. R.K. Nayyar chose Shivdasani for Love in Simla (1960)
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Former Member
SADHANA: THEN AND NOW
Sadhana Shivdasani was asked by R.K. Nayyar to style her hair with a fringe (like Audrey Hepburn); this hairstyle later became a craze and is still referred to as the "Sadhana cut" in India
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Sadhana Shivdasani was asked by R.K. Nayyar to style her hair with a fringe (like Audrey Hepburn); this hairstyle later became a craze and is still referred to as the "Sadhana cut" in India
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Former Member
SADHANA: THEN AND NOW
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Former Member
SADHANA: THEN AND NOW
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SADHANA: THEN AND NOW
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SADHANA: THEN AND NOW
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SADHANA: THEN AND NOW
In picture left to right: Nanda, Waheeda Rehman, Helen and Sadhana:
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In picture left to right: Nanda, Waheeda Rehman, Helen and Sadhana:
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Former Member
VIDEOS FROM SADHAHA MOVIES
Movie : Arzoo 1965
Singer: Lata Mangeshkar
Music : Shankar Jaikishen
Lyrics: Hasrat Jaipuri
THE VIDEO: BEDARDI BALAMI TUJHKO MERA MAN YAAD KARTA HAI
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Movie : Arzoo 1965
Singer: Lata Mangeshkar
Music : Shankar Jaikishen
Lyrics: Hasrat Jaipuri
THE VIDEO: BEDARDI BALAMI TUJHKO MERA MAN YAAD KARTA HAI
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Former Member
SADHAHA'S ARZOO
Movie : Arzoo 1965
Singer: Lata Mangeshkar
Music : Shankar Jaikishen
Lyrics: Hasrat Jaipuri
9) BEDARDI BALAMA TUJHKO MERA MAN YAAD KARTA HAI
(Bedardii baalamaa tujhako meraa man yaad kartaa hai)2
O Heartless lover, my heart is remembering you
Barasataa hai jo aankhoon se vo saavan yaad kartaa hai
The flowing tears from my eyes are remembering you
Bedardii baalamaa tujhako meraa man yaad kartaa hai
O Heartless lover, my heart is remembering you
Kabhii ham saath guzre jin sajiilii raha guzaaroon se
At one time this was the road that we traveled on together
Fizaa ke bhes mein girate hain ab patte chanaaron se
In pretext of autumn, the leaves of chinar(maple) are falling
Ye raahein yaad kartii hain ye gulashan yaad kartaa hai
These roads remember you and the spring remembers you
Bedardii baalamaa tujhako meraa man yaad kartaa hai
O Heartless lover, my heart is remembering you
Barasata hai jo ankhoon se vo saavan yaad kartaa hai
The flowing tears from my eyes are remembering you
Bedardii baalamaa tujhako meraa man yaad kartaa hai
O Heartless lover, my heart is remembering you
Koii jhonkaa havaa kaa jab meraa anchal udaataa hai
When the whiff of breeze touches my clothes
Gumaan hotaa hai jaise tu meraa daaman hilaataa hai
I get the feeling that those touchings are yours
Kabhi chuuma thaa jo tuune vo daman yaad karataa hai
The chunri/sari that you had kissed, remembers you
Bedardii baalamaa tujhako meraa man yaad kartaa hai
O Heartless lover, my heart is remembering you
Barasataa hai jo aankhoon se vo saavan yaad kartaa hai
The flowing tears from my eyes are remembering you
Bedardii baalamaa tujhako meraa man yaad kartaa hai
O Heartless lover, my heart is remembering you
Vo hii hain jhiil ke mandar vo hii kiranon ki barasaatein
The temples by the lake in the bright sunlight is the same
Jahaan ham tum kiyaa karate the paharon pyaar kii baatein
Where we use to meet and talk about our love for each other
Tujhe is jhiil kaa Kaamosh darpan yaad kartaa hai
Now the quiet water of the lake is remembering you
Bedardii baalamaa tujhako meraa man yaad kartaa hai
O Heartless lover, my heart is remembering you
Barasataa hai jo aankhoon se vo saavan yaad kartaa hai
The flowing tears from my eyes are remembering you
Bedardii baalamaa tujhako meraa man yaad kartaa hai
O Heartless lover, my heart is remembering you
Trans:Ranjana
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Movie : Arzoo 1965
Singer: Lata Mangeshkar
Music : Shankar Jaikishen
Lyrics: Hasrat Jaipuri
9) BEDARDI BALAMA TUJHKO MERA MAN YAAD KARTA HAI
(Bedardii baalamaa tujhako meraa man yaad kartaa hai)2
O Heartless lover, my heart is remembering you
Barasataa hai jo aankhoon se vo saavan yaad kartaa hai
The flowing tears from my eyes are remembering you
Bedardii baalamaa tujhako meraa man yaad kartaa hai
O Heartless lover, my heart is remembering you
Kabhii ham saath guzre jin sajiilii raha guzaaroon se
At one time this was the road that we traveled on together
Fizaa ke bhes mein girate hain ab patte chanaaron se
In pretext of autumn, the leaves of chinar(maple) are falling
Ye raahein yaad kartii hain ye gulashan yaad kartaa hai
These roads remember you and the spring remembers you
Bedardii baalamaa tujhako meraa man yaad kartaa hai
O Heartless lover, my heart is remembering you
Barasata hai jo ankhoon se vo saavan yaad kartaa hai
The flowing tears from my eyes are remembering you
Bedardii baalamaa tujhako meraa man yaad kartaa hai
O Heartless lover, my heart is remembering you
Koii jhonkaa havaa kaa jab meraa anchal udaataa hai
When the whiff of breeze touches my clothes
Gumaan hotaa hai jaise tu meraa daaman hilaataa hai
I get the feeling that those touchings are yours
Kabhi chuuma thaa jo tuune vo daman yaad karataa hai
The chunri/sari that you had kissed, remembers you
Bedardii baalamaa tujhako meraa man yaad kartaa hai
O Heartless lover, my heart is remembering you
Barasataa hai jo aankhoon se vo saavan yaad kartaa hai
The flowing tears from my eyes are remembering you
Bedardii baalamaa tujhako meraa man yaad kartaa hai
O Heartless lover, my heart is remembering you
Vo hii hain jhiil ke mandar vo hii kiranon ki barasaatein
The temples by the lake in the bright sunlight is the same
Jahaan ham tum kiyaa karate the paharon pyaar kii baatein
Where we use to meet and talk about our love for each other
Tujhe is jhiil kaa Kaamosh darpan yaad kartaa hai
Now the quiet water of the lake is remembering you
Bedardii baalamaa tujhako meraa man yaad kartaa hai
O Heartless lover, my heart is remembering you
Barasataa hai jo aankhoon se vo saavan yaad kartaa hai
The flowing tears from my eyes are remembering you
Bedardii baalamaa tujhako meraa man yaad kartaa hai
O Heartless lover, my heart is remembering you
Trans:Ranjana
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Former Member
Sorry ASJ but Sadhana has not aged well. Best wishes to her.
Former Member
quote:Originally posted by Alexander:
Sorry ASJ but Sadhana has not aged well. Best wishes to her.
Alex bhai, she was a dish in her days (the sixties) fans used to dream about her, Then came Saira Banu and she bowled us all over for beauty. Everyone wanted a beauty like Saira. By the time I was quite quite over with that phase, I had my fantasies fulfilled and had my own Saira to deal with. Now it is all nostalgia, taking that walk down memory lane, it commands that mischeivous smile now and again.
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Former Member
quote:Originally posted by Alexander:
Sorry ASJ but Sadhana has not aged well. Best wishes to her.
I was just about to say that..I remember someone said that when you are an ugly duckling when you are small you always grow up to be a beautiful swan...guess in her case she was a swan fuss
Former Member
SADHANA: THEN AND NOW
Classic! Sadhna in Bimal Royâs "Prem Patra".
Recently talking about earlier actresses, Tabu said, âOne actress I will never forget is Sadhna. She was the ideal combination of innocence, beauty and intelligence. I will always remember her as a haunting actress in âParakhâ, âHum Donoâ and âWoh Kaun Thiâ. Her dialogue delivery was really sweet with inimitable modulations.â The same view is endorsed by Vidya Balan.
Sadhna is a name unknown to todayâs fast food generation who think the ultimate divas are the Aishwarya Rais, Rani Mukerjis and Bipasha Basus. It has no idea about what a glorious past Indian cinema had and how prestigious is Sadhnaâs contribution to films.
Once in 1958, Dev Anand was on a visit to Filmalaya Studio. At the Filmalaya acting school he came across a bubbling, spontaneous young girl with highly expressive eyes and a beautiful smile. Dev Anand personally walked up to her and complimented her saying, âYou are a very pretty girl. You will make it really big as an actress.â His prediction was true as Sadhna indeed became the reigning queen of the swinging â60s.
Sadhna was introduced to films with âLove In Shimlaâ opposite Joy Mukherji and directed by R.K. Nayar, who later became her husband. With Raj Khoslaâs âEk Musafir Ek Hasinaâ, Sadhna sky rocketed to fame and never looked back. She remembers, âI had high ambitions of making it as an actress. I knew I would face stiff competition from stalwarts like Meena Kumari, Nutan, Waheeda Rahman and Nanda. I lovingly accepted the challenge of proving my worth as an actress.â
Films like âHum Donoâ, âPrem Patraâ and âParakhâ followed. Bimal Rayâs X-ray eyes noticed the rare talent in Sadhna and he rightly cast her in âParakhâ and âPrem Patraâ.
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Classic! Sadhna in Bimal Royâs "Prem Patra".
Recently talking about earlier actresses, Tabu said, âOne actress I will never forget is Sadhna. She was the ideal combination of innocence, beauty and intelligence. I will always remember her as a haunting actress in âParakhâ, âHum Donoâ and âWoh Kaun Thiâ. Her dialogue delivery was really sweet with inimitable modulations.â The same view is endorsed by Vidya Balan.
Sadhna is a name unknown to todayâs fast food generation who think the ultimate divas are the Aishwarya Rais, Rani Mukerjis and Bipasha Basus. It has no idea about what a glorious past Indian cinema had and how prestigious is Sadhnaâs contribution to films.
Once in 1958, Dev Anand was on a visit to Filmalaya Studio. At the Filmalaya acting school he came across a bubbling, spontaneous young girl with highly expressive eyes and a beautiful smile. Dev Anand personally walked up to her and complimented her saying, âYou are a very pretty girl. You will make it really big as an actress.â His prediction was true as Sadhna indeed became the reigning queen of the swinging â60s.
Sadhna was introduced to films with âLove In Shimlaâ opposite Joy Mukherji and directed by R.K. Nayar, who later became her husband. With Raj Khoslaâs âEk Musafir Ek Hasinaâ, Sadhna sky rocketed to fame and never looked back. She remembers, âI had high ambitions of making it as an actress. I knew I would face stiff competition from stalwarts like Meena Kumari, Nutan, Waheeda Rahman and Nanda. I lovingly accepted the challenge of proving my worth as an actress.â
Films like âHum Donoâ, âPrem Patraâ and âParakhâ followed. Bimal Rayâs X-ray eyes noticed the rare talent in Sadhna and he rightly cast her in âParakhâ and âPrem Patraâ.
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