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quote:
Originally posted by Saeed:
I am glad Lynn. Did you see my comment at the end of Kabhi Kabhi which ASJ bhai sniped off? Even though we have heard these songs hundreds of times they still cast their spell. Dont mind telling you I became very emotional translating that song.


Did I? Wink
Was so sleepy, I need your comments to the trans; will input......sorry Saeed Bhai:

.
FM
quote:
Originally posted by DaFreak:
ayou know dat saang Rukooja? pls play um fuh me tnks


lawd bai'dah waslike another natl anthem in dem rum shop!!
lol
nice....

Ruk Ja O Janewali ( tune)
Movie Name : Kanhaiya (1959)
http://www.musicindiaonline.com/p/x/QrOmM-Wnb9.As1NMvHdW/


Ruk Jaa O Jaanewali
Here is the song 'Ruk Jaa O Jaanewali' from movie 'Kanhaiya'.

here is a portion of the lyrics and trans..
SAEED will complete for us..


Ruk Ja, Ruk Ja O Jaanewaali Ruk Ja

Stop, do stop, Lady who is leaving, do stop

Maein To Raahi Teri Manzil Ka

I am a traveller to your destinantion (which is shared, common)

Nazron Mein Teri Mein Bura Sahi

I may be a bad man in your eyes

Aadmi Bura Nahin Maein Dil Ka

But I not bad at heart

Ruk Ja...

Do stop


sounds like a RK song! Wink
L
quote:
Originally posted by asj:


One of my fave: from the movie My Love:
Vo Teri Pyar ka gam:

http://www.musicindiaonline.com/p/x/8r2m6oC-Jd.As1NMvHdW/

.


1 of my fave 2!! 1 of dem songs where yuh jus shut yuh eyes and enjoy de melody!!! esp rocking in yuh hammock (like iused to do in Leg1 ...lol)

Wo Tere Pyar Ka Gham [ Lyrics ]
Movie Name : My Love (1970)
Singer : Mukesh
Music Director : Daan Singh
Lyrics : Anand Bakshi
Year : 1970
Producer : Atul Art
Director : S Sukhdev
Actors : Iftekhar, Jayant, Madan Puri, Nirupa Roy, Rajendranath, Sharmila Tagore, Shashi Kapoor
Theme : Love
L
LEGENDARY:MUKESH CHAND MATHUR

DILIP KUMAR ON MUKESH:

"And how can I forget what Mukesh accomplished for me in 'Andaz'," went on Dilip. "Those legendary numbers created by Naushad for Mukesh to sing for me: "Hum aaj kahin dil kho baithe", "Tu kahe agar jeevan bhar", "Toote na dil toote na", "Jhoom jhoom ke naacho aaj".

CLASSICS ALL THE WAY:

.
FM
LEGENDARY:MUKESH CHAND MATHUR

Those Who Live In The Hearts Of Men Never Die
By
Vijay Kumar Dubey

I remember Mukesh in a High School in Delhi were both of us were studying. I remember him leaving for Bombay in 1940 and remember many boys from our school going to see his first film " NIRDOSH " in which he started opposite Nalini Jaywant.

I remember meeting him Bombay in 1942 where I had come to live. We become inseparables. I remember Mukesh's painful process of growth and self-discovery, the call of music, the visit to various studios to meet music directors, hours of waiting, being rejected as a '' bad singers " or " no singer " , year after year I remember seeing no bitterness in him.

When a sudden family tragedy left me, a young boy, homeless and penniless in Bombay, I remember Mukesh taking me to his one room flat at Walkeshwar and saying - " From now on this is your home and all in it is yours.

I remember a night at Chowpatty when we sat hungry, with pockets empty, and nowhere to go. The rent was not paid and the landlord would not let us enter the flat.

I remember us sharing a few rupees we would earn and remember him showing me a letter from Mazhar Art Productions offering him 250/- per song to sing for " Pehli Nazar ".

I remember Kardar studios, the musicians poised to start, maestro Anil Biswas getting ready to give the signal and sound recordist P.N. Arora starting the recording machine " Dil Jalta Hai " was recorded. A hush pervaded.

Mukesh skyrocketed to fame. I remember the arduous climb, even then, step by painful step.

I remember seeing a golden haired, blue-eyed irrepressible young man named Raj Kapoor entering the film industry, dazzling all with his brilliance and setting the industry on fire with his "Aag" I remember him meeting Mukesh.

I remember attending his 30th wedding anniversary on July 22nd,1976 and I remember being with him in a taxi to whisk away his bribe-to-be for the wedding where Motilal, Tara Harish, R.D.Mathur and so many who loved him, waited.

I remember Mukesh recording " Tulsi Ramayan " for H.M.V. and seeing him spend hours every day perfecting his pronunciations of Avadhi. I remember his heart attack in Calcutta and seeing a copy of the Ramayan under his pillow in the hospital.

I remember promising to take him to Badrinath Temple, on his return from U.S.A., as the morning in that holy temple begins with the playing of his records of " Tulsi Ramayan " . But it was not to be.

I remember him start concerts in foreign land with the song " Hum Us Desh Ke Waasi Hain, Jis Desh Main Ganga Bahti Hai ". I remember him being proud of his country and the values it represented.

I remember a plaque which he brought from America a few years ago, which still hangs in his music room at home. I remember the inscription :

That man is a success who has lived well, laughed often and loved much ;

who has gained the respect, of intelligent men and the love of children ;

who has filled his niche and accomplished his task ;

who leaves the world better that he found it, whether by an improved poppy ;

a perfect poem or a rescued soul ;

who never lacked appreciation of earth's beauty or filled to express it ;

who looked for the best in others and gave the best he had.

Could the author have known Mukesh?

.
FM
LEGENDARY:MUKESH CHAND MATHUR

One can never forget his sad songs like " Yeh mera diwananpan hai" in "Yahudi," "Ansoo bhari hai ye jeean ki rahen" in "Parvarish," "Mujhe tum se kuchh bhi na chahiye" in "Kanhaiya," "Hum chal rahe the" in Duniya Na Mane," "Aaja re ab mera dil pukara" in "Aah," "Tum bin jeevan" in "Anita," "Aa lout ke aaja mere meet" in "Rani Roopmati," "Mere toote hue dil se" in "Chhalia," "Bhuli hui yadon" in "Sanjog," "Saranga teri yyad mein" in "Saranga," "Trei yaad dil se bhulane chala hoon" in "Hariyali Aur Rasta," "Main to ek khawab hoon" in "Himalaya Ki God Mein," "Woh subah kabhi to aayegi" in "Phir subah Hogi," " Dil dhoodata hai sahare sahare" in "Kala Aadami," "Humne apana sab kuch khoya" in "Saraswatichandra," "Sajanwa bari ho gaye hamar" and other folk-based songs in "Teesri Kasam."

Another peculiarity about Mukesh's singing lay in the great draw and haunting appeal of back-ground songs in films or those picturised on incidental characters but occurring like a voice from beyond for the unhappy in their tragic plight. there are songs like " Oh re, tall mile nadi ke jal mein" in "Anokhi Raat," "O jane wale ho sake to lout ke aana" in "Bandini," "Chal re sajni ab kya soche" in "Bambai Ka Babu," "Bahut diya dene wale ne tujhko" in "Soorat Aur Seerat" among others.

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FM
quote:
Originally posted by ksazma:
There is something about Mukesh's voice that goes directly to your soul. What a strange co-incident that he had just finished performing "Dil Jalts Hai" when he succumbed to a heart attack. The first song that he recorded truned out to be the last one he re-recorded. A strange co-incident, indeed.



Also it is a coincidence that the "Big Three" Rafi, Kishore, and Mukesh.........they all succumbed......to heart attacks.

.
FM
quote:
Originally posted by DaFreak:
be back soon

tink of some other good 70s Muka chunes in de meantime



some 70s songs I like:

Dheere Dheere Bholte - Gora aur Kala
Yeh Na Hoga - Tumhari Kasam
Chanchal Sheetal - Satyam Shivam Sundaram
Pani Re Pani - Shor
Tumne Kissi Se - Dharmatma

For fun, I like:
Chal Sanyasi and Bali Umariya - Sanyasi
Yeh Duniya Ek Numbari - Dus Numbari.
FM

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